Abstract
Second attempt at spontaneous composition for screen with Häxen (up to Part 2, 1922, Benjamin Christensen), attempt to simplify “flow”, improve reactivity, balance and tempo, search for expression. The improvisation process followed approximately Method 1: “look first at the film in its entirety first, with or without sound (preferable, as it doesn’t then imply simple musical mimicking) then improvise and talk about the outcome.” (Durant, Yati. 2015. Dramatic Comprehensibility in Improvised Music to Film. [Paper]. IMHSD Conference, Herstmonceux Castle, East Sussex) Setup included Laptop running Ableton Live, Korg Kaoss pad and Kaosillator through ZVex, Korg MS-20 and SQ1, Apple iPad running Samplr, Elektron Machinedrum and two trumpets (through effects).
Data Citation
Durant, Yati; Svalesen, Christian. (2015). Yati Durant and Christian Svalesen w/Häxan 27.04.2015 2 mix 2, [dataset]. University of Edinburgh. http://dx.doi.org/10.7488/ds/265.
| Date made available | 18 Jun 2015 |
|---|---|
| Publisher | Edinburgh DataShare |
| Geographical coverage | UK |
Research output
- 1 Performance
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Häxan: Musical score for improvisation to the film
Durant, Y. (Composer), Dec 2015, (Unpublished)Research output: Non-textual form › Performance
Datasets
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Yati Durant and Christian Svalesen w/Häxan 04.05.2015 mix 1
Durant, Y. (Creator) & Svalesen, C. (Creator), Edinburgh DataShare, 18 Jun 2015
DOI: 10.7488/ds/264
Dataset
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Yati Durant and Christian Svalesen 30.03.2015 mix 1
Durant, Y. (Creator) & Svalesen, C. (Creator), Edinburgh DataShare, 18 Jun 2015
DOI: 10.7488/ds/268
Dataset
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