Caterina Moruzzi is a Chancellor’s Fellow in Design Informatics in the School of Design, University of Edinburgh, working at the intersection between the philosophy of art, history and philosophy of human and artificial creativity, and the philosophy of AI. Her insights on art practices and the art sector come from her background as a classically trained pianist, while she deepened her expertise in philosophy of art during her Ph.D. (University of Nottingham, 2018) and the research of the latest years. She applies her specialistic knowledge in the philosophy of art and technology publishing extensively in the fields of philosophy of art, creativity, and philosophy of AI. She also collaborates with international academic institutions and technology companies in projects aimed at investigating the impact of Artificial Intelligence technologies in the creative sector. 

My current research interests concern the transformative potential of cutting-edge technology in shaping the creation, consumption, and ownership of creative content.

I collaborate with leading academic institutions and technology companies to approach the societal implications of emerging technologies from a wide range of scientific and technical viewpoints. In collaboration with the Oxford Internet Institute I led and co-led projects aimed at investigating public attitudes of reception of algorithmic content creation and creation. 

Since 2021, I conduct a prolific and successful collaboration with researchers at Adobe Research, which includes the project “The Role of Embodiment in the Perception of Human and Artificial Creativity", funded by the Intersectoral Cooperation Programme, Institute for Advanced Study, University of Konstanz. Together, we investigate modes of shared agency and creativity between humans, data, and technology and the disruptive effects that emerging technological innovations can have on creative labour.