Research output per year
Research output per year
- 39 results
Search results
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2024
Making Space for the Maritorio: Raizal Dispossession and the Geopoetic Imagination in the San Andrés Archipelago
Cupples, J., Gleghorn, C., Lee, D. & Ribeiro, R., Nov 2024, In: Antipode: A Radical Journal of Geography. 56, 6, p. 2042-2063Research output: Contribution to journal › Article › peer-review
Open AccessFile -
Cinemática Indígena: Intermedialidad y propiedad cultural colectiva
Translated title of the contribution :Indigenous Cinematics: Intermediality and Collective Cultural Property Research output: Contribution to conference › Paper
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Desastre, reconstrucción, liderazgo: Sistematización de las experiencias tras el deslave de Panabaj de 2005
Cabrera Pacheco, A., Cupples, J., Gleghorn, C., Puac, C. A. & Ribeiro, R., 6 Jun 2024, CAHRU, University Of Edinburgh.Research output: Book/Report › Book
Open Access -
Affective Worlds: Authorship, Love and Creativity in Camilo Torres Restrepo: el amor eficaz (Marta Rodríguez, 2022) and Tote_Abuelo (María Sojob, 2019)
Gleghorn, C., 30 Apr 2024, (Unpublished).Research output: Contribution to conference › Paper
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2023
Indigenous Cinematics: The Legal Lives of Indigenous Filmmaking in Abiayala/Latin America
Gleghorn, C., 14 Dec 2023, (Unpublished).Research output: Contribution to conference › Paper
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Indigenous Cinematics: The Legal Lives of Indigenous Filmmaking in Abiayala/Latin America
Gleghorn, C., 3 Nov 2023, (Unpublished).Research output: Contribution to conference › Paper
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2022
Encuentros y apariciones cuir en el audiovisual indígena
Gleghorn, C., 20 Oct 2022.Research output: Contribution to conference › Paper
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2020
Filmic disciples and indigenous knowledges: The pedagogical imperative in El abrazo de la serpiente (Ciro Guerra, 2015)
Gleghorn, C., 1 May 2020, In: Diálogo. 23, 1, p. 31-45Research output: Contribution to journal › Article › peer-review
Open AccessFile -
2019
Subverting racist imagery for anti-racist intent: Indigenous filmmaking from Latin America and the resignification of the archive
Gleghorn, C., 30 Sept 2019, Cultures of Anti-Racism in Latin America and the Caribbean. Wade, P., Scorer, J. & Aguiló, I. (eds.). London: Institute of Latin American Studies, School of Advanced Study, London, p. 73-100 27 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
Open Access -
Interview with Bashé Nuhem
Arteaga, C. (Editor) & Gleghorn, C. (Editor), 13 May 2019Research output: Non-textual form › Web publication/site
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Dissensus/Consensus: Indigenous Collaborative Filmmaking from Latin America
Gleghorn, C., 20 Apr 2019.Research output: Contribution to conference › Paper
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Interview with Gerardo Berrocal
Arteaga, C. (Editor) & Gleghorn, C. (Editor), 4 Mar 2019Research output: Non-textual form › Web publication/site
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Interview with María Sojob
Arteaga, C. (Editor) & Gleghorn, C. (Editor), 25 Feb 2019Research output: Non-textual form › Web publication/site
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Dossier on indigenous filmmaking from Abya Yala Part I: Tzotsil, Mapuche, Zapotec. Filmic practice otherwise
Arteaga, C. (Editor) & Gleghorn, C. (Editor), 4 Feb 2019Research output: Non-textual form › Web publication/site
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Afro-Latino-América: Black and Afro-descendant rights and struggles
Bush, D., Bush, S., Cayasso-Dixon, K., Cupples, J., Gleghorn, C., Glynn, K., Henríquez Cayasso, G., Lee, D., Moreno Rojas, C., Perea Lemos, R., Ribeiro, R. & Valencia, Z., 2019, The Routledge Handbook of Latin American Development. Cupples, J., Palomino-Schalscha, M. & Prieto, M. (eds.). London: Routledge, p. 236-251 15 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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2018
"¡Viva la comedia musical!": Dramatizing genre porosity and Argentine cosmopolitanism in El fantasma de la Opereta (Carreras, 1955)
Gleghorn, C., 1 Dec 2018, In: The Opera Quarterly. 34, 2-3, p. 168-186Research output: Contribution to journal › Article › peer-review
Open AccessFile -
In pursuit of Narciso: Phantom myth and archive in Argentina
Gleghorn, C., 17 Jun 2018.Research output: Contribution to conference › Paper › peer-review
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2017
Indigenous filmmaking in Latin America
Gleghorn, C., 11 Apr 2017, A Companion to Latin American Cinema. Delgado, M. M., Hart, S. M. & Johnson, R. (eds.). Oxford: Wiley-Blackwell, p. 167-186 20 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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“A story might be similar from different places, but the language of representation is not”: Jeannette Paillán in conversation
Gleghorn, C., 25 Mar 2017, (E-pub ahead of print) A Companion to Latin American Cinema. Delgado, M. M., Hart, S. M. & Johnson, R. (eds.). Wiley-Blackwell, p. 473-486 14 p. Chapter 28Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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2016
A star is born: The rising profile of the non-professional actor in recent Brazilian cinema
Gleghorn, C., 1 Dec 2016, Stars and Stardom in Brazilian Cinema. Bergfelder, T., Shaw, L. & Vieira, J. L. (eds.). New York; Oxford: Berghahn Books, p. 210-226 17 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
Open AccessFile -
2015
Indigenous Film Rhetorics in Latin America
Gleghorn, C., 11 Nov 2015.Research output: Contribution to conference › Paper
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Who teaches whom? Latin American Indigenous filmmaking and Pedagogical Purpose
Gleghorn, C., 2015.Research output: Contribution to conference › Paper
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2014
Recasting Commodity and Spectacle in the Indigenous Americas
Gilbert, H. (Editor) & Gleghorn, C. (Editor), Dec 2014, London: Institute of Latin American Studies, School of Advanced Study, London. 268 p.Research output: Book/Report › Book
Open Access -
National frontiers and spatial politics: Cinematic discourses of the provinces in Argentina and Chile
Gleghorn, C., 20 Nov 2014.Research output: Contribution to conference › Paper
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Intertextual hybridity and artistic re-creation: Indigenous cosmologies on film
Gleghorn, C., 3 Oct 2014.Research output: Contribution to conference › Paper
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Introduction: Recasting spectacle and commodity in the indigenous Americas
Gleghorn, C. & Gilbert, H., Sept 2014, Recasting Commodity and Spectacle in the Indigenous Americas. Gleghorn, C. & Gilbert, H. (eds.). London: Institute of Latin American Studies, School of Advanced Study, London, p. 1-18Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open AccessFile -
On the Move: Indigeneity on and through Film in Latin America
Gleghorn, C., 2014, (Unpublished).Research output: Contribution to conference › Paper
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2013
Revisioning The Colonial Record: La relación de Michoacán and Contemporary Mexican Indigenous Film
Gleghorn, C., 21 Jun 2013, In: Interventions. 15, 2, p. 224-238Research output: Contribution to journal › Article › peer-review
Open AccessFile -
Reconciliation En Minga: Indigenous Video and Social Justice in Colombia
Gleghorn, C., 4 Jun 2013, In: Journal of Latin American Cultural Studies. 22, 2, p. 169-194Research output: Contribution to journal › Article › peer-review
Open AccessFile -
Genealogies of the self: (auto) biography in Sandra Kogut's Um Passaporte Húngaro (2001) and Albertina Carri's Los rubios (2003)
Gleghorn, C., 2013, Hispanic and Lusophone women filmmakers: Theory, practice and difference. Nair, P. & Gutierrez-Albila, J. D. (eds.). Manchester Univ. Press, p. 199-214Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
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Indigenous Filmmaking in Peru: Utopia or Reality?
Gleghorn, C., 2013, (Unpublished).Research output: Contribution to conference › Paper
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2012
An Aesthetics of Rescate: Re-enactment and Historical Agency in Latin American Indigenous Video
Gleghorn, C., 2012, (Unpublished).Research output: Contribution to conference › Paper
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From Third to Fourth Cinema: Resonance and Change in Indigenous Film and Video from Latin America
Gleghorn, C., 2012, (Unpublished).Research output: Contribution to conference › Paper
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2011
Myth and the Monster of Intersex : Narrative Strategies of Otherness in XXY (Lucía Puenzo, Argentina, 2007)
Gleghorn, C., 2011, Latin American Cinemas: Local Views and Transnational Connections. Bermúdez Barrios, N. (ed.). Calgary, Alberta, Canada: University of Calgary Press, p. 149-174Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
Open AccessFile -
Reconciliation en minga: Film, Festivals and Social Justice in Indigenous Colombia
Gleghorn, C., 2011, (Unpublished).Research output: Contribution to conference › Paper
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2010
The Dystopian City: Gendered Interpretations of the Urban in Um Céu de Estralas/A Starry Sky (Tata Amaral, 1996) and Vagón Fumador/Smokers Only (Véronica Chen, 2001).
Gleghorn, C., 2010, New Trends in Argentine and Brazilian Cinema. Rocha, C. & Rêgo, C. M. (eds.). Intellect, p. 225-242Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
Open AccessFile -
2008
The “espaço off” and the Cinematic City: the Negotiation of Space in Um Céu de Estrelas (Tata Amaral, Brazil, 1997)
Gleghorn, C., 2008, (Unpublished).Research output: Contribution to conference › Paper
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2007
The Wandering Eye: The Body and the City in Vagon fumador (Veronica Chen, 2001) and La fe del volcan (Poliak, 2001)
Gleghorn, C., 2007, (Unpublished).Research output: Contribution to conference › Paper
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2006
'"Parece un pulpo con miles de tentaculos": The Cinematic Modernity of Vagon fumador (Chen, 2001)'
Gleghorn, C., 2006, (Unpublished).Research output: Contribution to conference › Paper