Charlotte Gleghorn

Search results

• 2020

  Filmic disciples and indigenous knowledges: The pedagogical imperative in El abrazo de la serpiente (Ciro Guerra, 2015)

  Gleghorn, C., 1 May 2020, In: Diálogo. 23, 1, p. 31-45

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • knowledge 100%
  • model form 57%
  • instruction 47%
  • knowledge transfer 42%
  • Latin America 32%
• 2019

  Subverting racist imagery for anti-racist intent: Indigenous filmmaking from Latin America and the resignification of the archive

  Gleghorn, C., 30 Sep 2019, Cultures of Anti-Racism in Latin America and the Caribbean. Wade, P., Scorer, J. & Aguiló, I. (eds.). London: Institute of Latin American Studies, School of Advanced Study, London, p. 73-100 27 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  Open Access

• Interview with Bashé Nuhem

  Arteaga, C. (ed.) & Gleghorn, C. (ed.), 13 May 2019

  Research output: Non-textual form › Web publication/site

• Dissensus/Consensus: Indigenous Collaborative Filmmaking from Latin America

  Gleghorn, C., 20 Apr 2019.

  Research output: Contribution to conference › Paper

  • Filmmaking 100%
  • Latin America 85%
  • Cinema 63%
  • Misrepresentation 62%
  • Praxis 60%

• Interview with Gerardo Berrocal

  Arteaga, C. (ed.) & Gleghorn, C. (ed.), 4 Mar 2019

  Research output: Non-textual form › Web publication/site

• Interview with María Sojob

  Arteaga, C. (ed.) & Gleghorn, C. (ed.), 25 Feb 2019

  Research output: Non-textual form › Web publication/site

• Dossier on indigenous filmmaking from Abya Yala Part I: Tzotsil, Mapuche, Zapotec. Filmic practice otherwise

  Arteaga, C. (ed.) & Gleghorn, C. (ed.), 4 Feb 2019

  Research output: Non-textual form › Web publication/site

• Afro-Latino-América: Black and Afro-descendant rights and struggles

  Bush, D., Bush, S., Cayasso-Dixon, K., Cupples, J., Gleghorn, C., Glynn, K., Henríquez Cayasso, G., Lee, D., Moreno Rojas, C., Perea Lemos, R., Ribeiro, R. & Valencia, Z., 2019, The Routledge Handbook of Latin American Development. Cupples, J., Palomino-Schalscha, M. & Prieto, M. (eds.). London: Routledge, p. 236-251 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  • Latinos 100%
  • Descendant 80%
  • Native Americans 53%
  • Eurocentric 38%
  • Racist 34%
• 2018

  "¡Viva la comedia musical!": Dramatizing genre porosity and Argentine cosmopolitanism in El fantasma de la Opereta (Carreras, 1955)

  Gleghorn, C., 1 Dec 2018, In: The Opera Quarterly. 34, 2-3, p. 168-186

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Argentine Cinema 100%
  • Comedia 82%
  • Porosity 78%
  • Cosmopolitanism 62%
  • Golden Age 60%

• In pursuit of Narciso: Phantom myth and archive in Argentina

  Gleghorn, C., 17 Jun 2018.

  Research output: Contribution to conference › Paper › peer-review

• (In)Visibility in the Black Caribbean: The cases of Cuba, Nicaragua and Colombia Julie Cupples, Charlotte Gleghorn and Raquel Ribeiro (University of Edinburgh)

  Gleghorn, C., Ribeiro, R. & Cupples, J., 30 May 2018.

  Research output: Contribution to conference › Paper › peer-review

  • Nicaragua 100%
  • Cuba 92%
  • Colombia 78%
  • media event 38%
  • Caribbean Region 32%
• 2017

  Indigenous filmmaking in Latin America

  Gleghorn, C., 11 Apr 2017, A Companion to Latin American Cinema. Delgado, M. M., Hart, S. M. & Johnson, R. (eds.). Oxford: Wiley-Blackwell, p. 167-186 20 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  • Indigenous Film 100%
  • Filmmaking 64%
  • Latin America 54%
  • Aesthetics 31%
  • Third Cinema 23%

• “A story might be similar from different places, but the language of representation is not”: Jeannette Paillán in conversation

  Gleghorn, C., 25 Mar 2017, (E-pub ahead of print) A Companion to Latin American Cinema. Delgado, M. M., Hart, S. M. & Johnson, R. (eds.). Wiley-Blackwell, p. 473-486 14 p. Chapter 28

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  • Indigenous Film 100%
  • Cinema 81%
  • Co-ordinator 78%
  • Pueblo 73%
  • Aspiration 61%
• 2016

  A star is born: The rising profile of the non-professional actor in recent Brazilian cinema

  Gleghorn, C., 1 Dec 2016, Stars and Stardom in Brazilian Cinema. Bergfelder, T., Shaw, L. & Vieira, J. L. (eds.). New York; Oxford: Berghahn Books, p. 210-226 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  Open Access

  File
• 2015

  Indigenous Film Rhetorics in Latin America

  Gleghorn, C., 11 Nov 2015.

  Research output: Contribution to conference › Paper

• Who teaches whom? Latin American Indigenous filmmaking and Pedagogical Purpose

  Gleghorn, C., 2015.

  Research output: Contribution to conference › Paper

• 2014

  Recasting Commodity and Spectacle in the Indigenous Americas

  Gilbert, H. (ed.) & Gleghorn, C. (ed.), Dec 2014, London: Institute of Latin American Studies, School of Advanced Study, London. 268 p.

  Research output: Book/Report › Book

  Open Access

  • commodity 100%
  • artist 67%
  • Belize 49%
  • performance 47%
  • cultural event 46%

• National frontiers and spatial politics: Cinematic discourses of the provinces in Argentina and Chile

  Gleghorn, C., 20 Nov 2014.

  Research output: Contribution to conference › Paper

• Intertextual hybridity and artistic re-creation: Indigenous cosmologies on film

  Gleghorn, C., 3 Oct 2014.

  Research output: Contribution to conference › Paper

• Introduction: Recasting spectacle and commodity in the indigenous Americas

  Gleghorn, C. & Gilbert, H., Sep 2014, Recasting Commodity and Spectacle in the Indigenous Americas. Gleghorn, C. & Gilbert, H. (eds.). London: Institute of Latin American Studies, School of Advanced Study, London, p. 1-18

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

  File

• On the Move: Indigeneity on and through Film in Latin America

  Gleghorn, C., 2014, (Unpublished).

  Research output: Contribution to conference › Paper

• 2013

  Revisioning The Colonial Record: La relación de Michoacán and Contemporary Mexican Indigenous Film

  Gleghorn, C., 21 Jun 2013, In: Interventions. 15, 2, p. 224-238

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Indigenous Film 100%
  • Codex 62%
  • Pictorial Narrative 48%
  • Film Dialogue 48%
  • Mexican Film 48%

• Reconciliation En Minga: Indigenous Video and Social Justice in Colombia

  Gleghorn, C., 4 Jun 2013, In: Journal of Latin American Cultural Studies. 22, 2, p. 169-194

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Reconciliation 100%
  • Social Justice 87%
  • Colombia 87%
  • reconciliation 84%
  • social justice 73%

• Genealogies of the self: (auto) biography in Sandra Kogut's Um Passaporte Húngaro (2001) and Albertina Carri's Los rubios (2003)

  Gleghorn, C., 2013, Hispanic and Lusophone women filmmakers: Theory, practice and difference. Nair, P. & Gutierrez-Albila, J. D. (eds.). Manchester Univ. Press, p. 199-214

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• Indigenous Filmmaking in Peru: Utopia or Reality?

  Gleghorn, C., 2013, (Unpublished).

  Research output: Contribution to conference › Paper

• 2012

  An Aesthetics of Rescate: Re-enactment and Historical Agency in Latin American Indigenous Video

  Gleghorn, C., 2012, (Unpublished).

  Research output: Contribution to conference › Paper

• From Third to Fourth Cinema: Resonance and Change in Indigenous Film and Video from Latin America

  Gleghorn, C., 2012, (Unpublished).

  Research output: Contribution to conference › Paper

• 2011

  Myth and the Monster of Intersex : Narrative Strategies of Otherness in XXY (Lucía Puenzo, Argentina, 2007)

  Gleghorn, C., 2011, Latin American Cinemas: Local Views and Transnational Connections. Bermúdez Barrios, N. (ed.). Calgary, Alberta, Canada: University of Calgary Press, p. 149-174

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  Open Access

  File

• Reconciliation en minga: Film, Festivals and Social Justice in Indigenous Colombia

  Gleghorn, C., 2011, (Unpublished).

  Research output: Contribution to conference › Paper

• 2010

  The Dystopian City: Gendered Interpretations of the Urban in Um Céu de Estralas/A Starry Sky (Tata Amaral, 1996) and Vagón Fumador/Smokers Only (Véronica Chen, 2001).

  Gleghorn, C., 2010, New Trends in Argentine and Brazilian Cinema. Rocha, C. & Rêgo, C. M. (eds.). Intellect Publishing Company, p. 225-242

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

  Open Access

  File
• 2008

  The “espaço off” and the Cinematic City: the Negotiation of Space in Um Céu de Estrelas (Tata Amaral, Brazil, 1997)

  Gleghorn, C., 2008, (Unpublished).

  Research output: Contribution to conference › Paper

• 2007

  The Wandering Eye: The Body and the City in Vagon fumador (Veronica Chen, 2001) and La fe del volcan (Poliak, 2001)

  Gleghorn, C., 2007, (Unpublished).

  Research output: Contribution to conference › Paper

• 2006

  '"Parece un pulpo con miles de tentaculos": The Cinematic Modernity of Vagon fumador (Chen, 2001)'

  Gleghorn, C., 2006, (Unpublished).

  Research output: Contribution to conference › Paper