Laura Bradley

Accepting PhD Students

PhD projects

Laura is happy to supervise projects on twentieth- and twenty-first century German theatre, Brecht, GDR literature and culture, and censorship. Prospective students are very welcome to approach her with informal enquiries.
Supervisors at Edinburgh often work as a team, and Laura has experience of co-supervising and examining MScR and PhD projects in English Literature and Russian, as well as having supervised several PhD students in German to completion.

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16 Article
11 Book/Film/Article review
8 Paper
5 Chapter (peer-reviewed)
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- 2 Book

8 results

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2019
Judging Onstage Spectatorship: Trial Scenes in Brecht's Epic Theatre
Bradley, L., 26 Nov 2019.
Research output: Contribution to conference › Paper
Staging Blindness and Insight: Brecht's "Mother Courage and Her Children" in East Berlin
Bradley, L., 9 Nov 2019.
Research output: Contribution to conference › Paper
Building New Audiences at the Berliner Ensemble, 1949-1956
Bradley, L., 23 Jun 2019.
Research output: Contribution to conference › Paper
2016
Training the Audience: Brecht and the Art of Spectatorship
Bradley, L., 27 Jun 2016.
Research output: Contribution to conference › Paper
2014

Partners in Crime: Police advisors and the producers of Polizeiruf 110 in the GDR
Bradley, L., 11 Apr 2014.
Research output: Contribution to conference › Paper
Shooting down Sputnik: Censorship and creative protest in the German Democratic Republic
Bradley, L., 3 Apr 2014.
Research output: Contribution to conference › Paper
Censorship as risk management: Controlling theatre in the GDR
Bradley, L., 29 Mar 2014.
Research output: Contribution to conference › Paper
2013

'Not dreaming of Sherlock Holmes': The socialist detective in East German film and television
Bradley, L., 22 Nov 2013.
Research output: Contribution to conference › Paper

Laura Bradley

Judging Onstage Spectatorship: Trial Scenes in Brecht's Epic Theatre

Staging Blindness and Insight: Brecht's "Mother Courage and Her Children" in East Berlin

Building New Audiences at the Berliner Ensemble, 1949-1956

Training the Audience: Brecht and the Art of Spectatorship

Partners in Crime: Police advisors and the producers of Polizeiruf 110 in the GDR

Shooting down Sputnik: Censorship and creative protest in the German Democratic Republic

Censorship as risk management: Controlling theatre in the GDR

'Not dreaming of Sherlock Holmes': The socialist detective in East German film and television

Laura Bradley

Research output

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