Research output per year
Research output per year
Personal profile
Websites
Personal homepage
MSc Sound Design
http://tinyurl.com/mscsounddesign
Machining Sonic Identities
http://sonicidentity.ai
Teaching
I am programme director of the MSc in Sound Design. You are welcome to contact me for more information about the taught and research versions of this programme.
The taught course lasts 12 months full-time, 24 months part-time.
http://www.ed.ac.uk/schools-departments/edinburgh-college-art/graduate-school/taughtdegrees/msc-sound-design
The course handbook is available at the following link:
http://digital.eca.ed.ac.uk/sdhandbook
Schedule and Courses
Semester 1
Sound Design Media
Sound tools, sound libraries, audio editing and basic sound sync
Sonic Structures
Industrial Sound Design, Max MSP programming and prototype design
Media and Culture
Design and cultural theory
Semester 2
Interactive Sound Environments
Web design, multimedia sound design, interaction design, computer games audio
Sound and Fixed Media
Film sound analysis, sound design for moving image, surround sound
Digital Media Studio Project
Interactive sound design beyond the desktop, sound art and interactive devices
Summer
Final Project
Collaborative or individual research into a sound design topic of your choice
Research students
Recently completed PhD projects:
First supervisor
Vangelis Lympouridis
Sean Williams
Current PhD Projects
Education/Academic qualification
Doctor of Music, Portfolio of compositions - computer music, University of Edinburgh
Award Date: 1 Jan 2004
Master of Music, Portfolio of compositions, University of Manchester
Award Date: 1 Jan 1997
Bachelor of Music, An analysis of György Ligeti's Violin Concerto, University of Manchester
Award Date: 1 Jan 1996
Keywords
- M Music
- computer music
- sound design
- improvisation
- live electronics
- NX Arts in general
- sound installation
- sonic art
Fingerprint
Dive into the research topics where Martin Parker is active. These topic labels come from the works of this person. Together they form a unique fingerprint.
- 1 Similar Profiles
Collaborations and top research areas from the last five years
Recent external collaboration on country/territory level. Dive into details by clicking on the dots or
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BRAID researchers' response to the call for contributions on artificial intelligence and creativity issued by the UN Special Rapporteur in the field of cultural rights, Alexandra Xanthaki
Miltner, K., Moruzzi, C., Parker, M., Potapov, K., Sichani, A.-M. & Westenberger, P., 5 May 2025, Zenodo.Research output: Other contribution
Open Access -
Mirror-shift: Seven movements for ensemble, computer and multichannel sound system
Parker, M. (Artist), 24 Feb 2025Research output: Non-textual form › Composition
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Not nothing: Music for Babel Table and Live Electronics
Parker, M. (Artist) & Laporte, J.-F. (Performer), 1 Feb 2025Research output: Non-textual form › Composition
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Perspectives on immersion through laser doppler vibrometry
Buchanan-Dunlop, R., Newton, M. J. & Parker, M., 11 Oct 2024, Proceedings of the Sound and Music Computing Conference 2024. Campos, G., Salselas, I., Vieira, J., Conceição, M., Fonseca, N., Penha, R., Ponte, Â. D. & Andrikopoulos, D. (eds.). Sound and Music Computing Network, p. 403-410 8 p. (Proceedings of the Sound and Music Computing Conference).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
Open AccessFile -
Solos with Support: for Clarinet, Double bass, Vibraphone and Piano
Parker, M. (Artist), 6 Dec 2022Research output: Non-textual form › Composition
Activities
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Dis-array: a mess of methods for composing with AI
Parker, M. (Assessor)
6 Mar 2025Activity: Academic talk or presentation types › Invited talk
File -
avoiding sound, why this happens and what to do about it
Parker, M. (Invited speaker)
27 May 2022Activity: Academic talk or presentation types › Invited talk
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Exploring the Transdisciplinary Artistic PhD
Parker, M. (Presenter)
22 Nov 2021Activity: Participating in or organising an event types › Participation in workshop, seminar, course
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Live by the sword...
Parker, M. (Invited speaker)
20 Apr 2021Activity: Academic talk or presentation types › Invited talk
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PhD Examination
Parker, M. (Examiner) & Alcorn, M. (Examiner)
28 Jan 2019Activity: Examination types › External Examiner or Assessor
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jnymn: journeyMan
Parker, M. (Principal Investigator)
1/09/14 → …
Project: University Awarded Project Funding
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MSI: Machining Sonic Identities, costed extension
Parker, M. (Principal Investigator)
Project: Research
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Embracing the complexities of authenticity
Moruzzi, C. (CoPI), Parker, M. (CoPI), Potapov, K. (CoPI), Bryan-Kinns, N. (CoPI) & Li, X. (Researcher)
1/11/25 → 30/06/26
Project: Research
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BRAID Research Fellowship on Machining Sonic Identities
Parker, M. (Principal Investigator)
Arts and Humanities Research Council
1/05/24 → 30/06/26
Project: Research
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Edinburgh CitySounds: OrganiCity
Klein, E. (Principal Investigator) & Parker, M. (Co-investigator)
1/11/17 → 16/04/18
Project: Research
Datasets
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Scripts
Parker, M. (Data Manager), Cano, V. (Depositor) & Parker, M. (Creator), Edinburgh DataVault, Jan 2017
DOI: 10.7488/5644679b-329b-4d48-bcf1-9336ff893810
Dataset
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journeyMan
Parker, M. (Data Manager), Cano, V. (Depositor) & Parker, M. (Creator), Edinburgh DataVault, Jan 2015
DOI: 10.7488/7122b750-38ce-460c-9f78-87c114d483b5
Dataset
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gruntCount - bass clarinet version - live performance at Live Interfaces Conference, Lisbon November 2014
Parker, M. (Creator) & Peter, F. (Creator), Edinburgh DataShare, 31 Mar 2015
DOI: 10.7488/ds/224
Dataset
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gruntCount - bass clarinet version - development examples
Parker, M. (Creator) & Furniss, P. (Creator), Edinburgh DataShare, 10 Nov 2014
DOI: 10.7488/ds/170
Dataset
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Sonikebana, version 1.0 documentation example
Parker, M. (Creator), Edinburgh DataShare, 16 May 2018
DOI: 10.7488/ds/2351
Dataset