Abstract / Description of output
In this article I revisit a literary-audio work I created in collaboration with a Vancouver composer for Intersections, a new music series organized by the Western Front in Vancouver, Canada. We spliced together recorded interview material with composed music to craft a site-specific acoustic landscape. This work is presented as a site in which to explore creative, experimental ways of restaging memory and of bringing experiential landscapes more fully to life, immersing public audiences in the felt histories of the city.
Original language | English |
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Pages (from-to) | 153-161 |
Number of pages | 9 |
Journal | Geographical Review |
Volume | 103 |
Issue number | 2 |
Early online date | 17 Apr 2013 |
DOIs | |
Publication status | Published - Apr 2013 |