Projects per year
Curated by Massimiliano Gioni, the 2013 Biennale di Venezia overflowed with works that speculated on how things are material, relational, entangled, porous, coaffective, autopoietic, embodied, vibrant… These nonmodern practices reform contemporary art’s established paradigms of politics, agency, corporeality, criticality, representation, and time by disrupting the binarism and anthropocentrism of the Cultural Turn. This paper will analyse the reception of Gioni’s Il Palazzo Enciclopedico by critics circumscribed by the limits of critical theory. Material culture scholarship on extra/somatic relations and medievalists’ experiments with thing theory will be mobilised as a transversal neomedieval theory of emerging art.
|Publication status||Accepted/In press - 6 Jul 2015|
|Event||International Medieval Congress - Leeds, Leeds, United Kingdom|
Duration: 6 Jul 2015 → 9 Jul 2015
|Conference||International Medieval Congress|
|Period||6/07/15 → 9/07/15|
- New Materialisms
- Contemporary Art
- Contemporary Art Theory
FingerprintDive into the research topics of 'Before and After Contemporary Art: Investigating Future Premoderns (TM): Neomedieval Aesthetics in the 21st Century'. Together they form a unique fingerprint.
- 1 Active
Mulholland, N., Sep 2019, In: postmedieval: a journal of medieval cultural studies. 10, 3, p. 388-407 20 p., 9.
Research output: Contribution to journal › Article › peer-reviewOpen AccessFile
Mulholland, N. & Hogg, N., 26 Nov 2015, FIRST MACHINE and FINAL MACHINE. Kerr, S. (ed.). Coventry: Lanchester Gallery Projects, p. 27-28 2 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter