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Abstract / Description of output
Group musical improvisation is an important artistic, educational, and therapeutic process, and understanding the unique mental, individual, and social processes involved should be a key task for psychology. This chapter summarizes constraints in how some branches of psychology and ethnomusicology have conceptualized improvisation, and describes recent research embracing the breadth of what constitutes improvisation in music. Analyzing how highly diverse musicians discuss the fullest range of improvisational practices indicates important relationships between this creative interaction and wider psychological and social constructs. The chapter also presents research investigating the relationship between improvisation and health, highlighting a number of key benefits connected with improvisation in music therapy for patients with cancer. Enhancing understanding of the process and outcomes of musical improvisation in this way can help realize the potential contribution of music participation to contemporary culture, creativity in everyday life, and therapeutic interventions.
Original language | English |
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Title of host publication | Oxford Handbook of Critical Improvisation Studies |
Editors | Benjamin Piekut, George E. Lewis |
Place of Publication | New York |
Publisher | Oxford University Press |
Volume | 2 |
ISBN (Electronic) | 9780199892921 |
DOIs | |
Publication status | Published - 2014 |
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Dive into the research topics of 'Billy Connolly, Daniel Barenboim, Willy Wonka, Jazz Bastards and the universality of improvisation'. Together they form a unique fingerprint.Activities
- 1 Public Engagement – Public lecture/debate/seminar
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Glasgow International Jazz Festival
Graeme Wilson (Lecturer)
26 Jun 2015Activity: Participating in or organising an event types › Public Engagement – Public lecture/debate/seminar