Bodytext

Simon Biggs; Garth Paine; Sue Hawksley

Bodytext

Simon Biggs (Artist), Garth Paine (Composer), Sue Hawksley (Artist)

Edinburgh College of Art

Research output: Non-textual form › Performance

Abstract

Bodytext is a performance work, inquiring into human and machine relations, involving speech, movement and the body. A dancer's movement and speech are re-mediated within a digitally augmented interactive environment employing real-time motion tracking, voice recognition, interpretative language systems, projection and granular audio synthesis. The acquired speech, a description of an imagined dance, is re-written through projected digital display and sound synthesis, the performer causing the texts to interact and recombine with one another through their subsequent compositional arrangement. What is written is affected by the dance whilst the emerging recombinant descriptions determine what is danced. A recursive agency is established between the human performer and the machine based environment. This work questions and seeks insight into the relations between kinaesthetic experience, memory, agency and language. Bodytext was developed whilst the artists were in residence at the Bundanon Trust, New South Wales, and the VIPRe Lab at the University of Western Sydney.

Premiered at Critical Path, Sydney, Australia as part of the SEAM 2010 festival
Performed as part of the Figures of the Visceral Conference, September 2010, Inspace, Edinburgh University, UK
Performed as part of the Dance Live Festival, October 2010, Banchory, UK
Performed as part of the Gaming the Game conference, April 2012, University of California Davis, USA
Paper presented as part of Multimodal Communication: Language, Performance and Digital Media, Lisbon, Portugal, 2013
Paper presented as part of the 19th International Symposium on Electronic Art, June 2013, Sydney, Australia

Original language	English
Place of Publication	Critical Path, Sydney, Australia (SEAM 2010 Festival); Inspace, Edinburgh, UK (Figures of the Visceral Conference); Banchory, UK (Dance Live Festival); University of California Davis, USA (Gaming the Game conference) plus 2 conference paper presentations
Media of output	Online
Size	indeterminate
Publication status	Published - 15 Sept 2010
Event	SEAM 2010 Festival - Sydney, Australia Duration: 1 Sept 2011 → 30 Sept 2011

Keywords / Materials (for Non-textual outputs)

interactive art
Generative grammars
Dance
electronic music
granular synthesis
Speech recognition

Access to Document

Bodytext portfolioSubmitted manuscript, 1.99 MB

http://www.littlepig.org.uk/installations/bodytext/index.htm

Bodytext essay
Biggs, S., Hawksley, S. & Paine, G., 7 Jun 2013, p. 1-3. 3 p.
Research output: Contribution to conference › Paper › peer-review

File

19th International Symposium on Electronic Art
Biggs, S. (Speaker)
13 Jun 2013
Activity: Participating in or organising an event types › Participation in conference
Multimodal Communication: Language, Performance and Digital Media
Biggs, S. (Speaker)
2 May 2013
Activity: Participating in or organising an event types › Participation in conference
Gaming the Game
Biggs, S. (Invited speaker)
12 Apr 2012
Activity: Participating in or organising an event types › Participation in conference

Cite this

@misc{59a5a573bbb34e67aca9b8d0c417a1b2,

title = "Bodytext",

abstract = "Bodytext is a performance work, inquiring into human and machine relations, involving speech, movement and the body. A dancer's movement and speech are re-mediated within a digitally augmented interactive environment employing real-time motion tracking, voice recognition, interpretative language systems, projection and granular audio synthesis. The acquired speech, a description of an imagined dance, is re-written through projected digital display and sound synthesis, the performer causing the texts to interact and recombine with one another through their subsequent compositional arrangement. What is written is affected by the dance whilst the emerging recombinant descriptions determine what is danced. A recursive agency is established between the human performer and the machine based environment. This work questions and seeks insight into the relations between kinaesthetic experience, memory, agency and language. Bodytext was developed whilst the artists were in residence at the Bundanon Trust, New South Wales, and the VIPRe Lab at the University of Western Sydney. Premiered at Critical Path, Sydney, Australia as part of the SEAM 2010 festival Performed as part of the Figures of the Visceral Conference, September 2010, Inspace, Edinburgh University, UK Performed as part of the Dance Live Festival, October 2010, Banchory, UK Performed as part of the Gaming the Game conference, April 2012, University of California Davis, USA Paper presented as part of Multimodal Communication: Language, Performance and Digital Media, Lisbon, Portugal, 2013 Paper presented as part of the 19th International Symposium on Electronic Art, June 2013, Sydney, Australia",

keywords = "interactive art, Generative grammars, Dance , electronic music, granular synthesis, Speech recognition",

author = "Simon Biggs and Garth Paine and Sue Hawksley",

year = "2010",

month = sep,

day = "15",

language = "English",

note = "SEAM 2010 Festival ; Conference date: 01-09-2011 Through 30-09-2011",

}

Biggs, S, Paine, G & Hawksley, S, Bodytext, 2010, Performance, Critical Path, Sydney, Australia (SEAM 2010 Festival); Inspace, Edinburgh, UK (Figures of the Visceral Conference); Banchory, UK (Dance Live Festival); University of California Davis, USA (Gaming the Game conference) plus 2 conference paper presentations. <http://www.littlepig.org.uk/installations/bodytext/index.htm>

Bodytext. Biggs, Simon (Artist); Paine, Garth (Composer); Hawksley, Sue (Artist). 2010. Critical Path, Sydney, Australia (SEAM 2010 Festival); Inspace, Edinburgh, UK (Figures of the Visceral Conference); Banchory, UK (Dance Live Festival); University of California Davis, USA (Gaming the Game conference) plus 2 conference paper presentations: Event: SEAM 2010 Festival, Sydney, Australia.

Research output: Non-textual form › Performance

TY - ADVS

T1 - Bodytext

A2 - Biggs, Simon

A2 - Paine, Garth

A2 - Hawksley, Sue

PY - 2010/9/15

Y1 - 2010/9/15

N2 - Bodytext is a performance work, inquiring into human and machine relations, involving speech, movement and the body. A dancer's movement and speech are re-mediated within a digitally augmented interactive environment employing real-time motion tracking, voice recognition, interpretative language systems, projection and granular audio synthesis. The acquired speech, a description of an imagined dance, is re-written through projected digital display and sound synthesis, the performer causing the texts to interact and recombine with one another through their subsequent compositional arrangement. What is written is affected by the dance whilst the emerging recombinant descriptions determine what is danced. A recursive agency is established between the human performer and the machine based environment. This work questions and seeks insight into the relations between kinaesthetic experience, memory, agency and language. Bodytext was developed whilst the artists were in residence at the Bundanon Trust, New South Wales, and the VIPRe Lab at the University of Western Sydney. Premiered at Critical Path, Sydney, Australia as part of the SEAM 2010 festival Performed as part of the Figures of the Visceral Conference, September 2010, Inspace, Edinburgh University, UK Performed as part of the Dance Live Festival, October 2010, Banchory, UK Performed as part of the Gaming the Game conference, April 2012, University of California Davis, USA Paper presented as part of Multimodal Communication: Language, Performance and Digital Media, Lisbon, Portugal, 2013 Paper presented as part of the 19th International Symposium on Electronic Art, June 2013, Sydney, Australia

AB - Bodytext is a performance work, inquiring into human and machine relations, involving speech, movement and the body. A dancer's movement and speech are re-mediated within a digitally augmented interactive environment employing real-time motion tracking, voice recognition, interpretative language systems, projection and granular audio synthesis. The acquired speech, a description of an imagined dance, is re-written through projected digital display and sound synthesis, the performer causing the texts to interact and recombine with one another through their subsequent compositional arrangement. What is written is affected by the dance whilst the emerging recombinant descriptions determine what is danced. A recursive agency is established between the human performer and the machine based environment. This work questions and seeks insight into the relations between kinaesthetic experience, memory, agency and language. Bodytext was developed whilst the artists were in residence at the Bundanon Trust, New South Wales, and the VIPRe Lab at the University of Western Sydney. Premiered at Critical Path, Sydney, Australia as part of the SEAM 2010 festival Performed as part of the Figures of the Visceral Conference, September 2010, Inspace, Edinburgh University, UK Performed as part of the Dance Live Festival, October 2010, Banchory, UK Performed as part of the Gaming the Game conference, April 2012, University of California Davis, USA Paper presented as part of Multimodal Communication: Language, Performance and Digital Media, Lisbon, Portugal, 2013 Paper presented as part of the 19th International Symposium on Electronic Art, June 2013, Sydney, Australia

KW - interactive art

KW - Generative grammars

KW - Dance

KW - electronic music

KW - granular synthesis

KW - Speech recognition

M3 - Performance

CY - Critical Path, Sydney, Australia (SEAM 2010 Festival); Inspace, Edinburgh, UK (Figures of the Visceral Conference); Banchory, UK (Dance Live Festival); University of California Davis, USA (Gaming the Game conference) plus 2 conference paper presentations

T2 - SEAM 2010 Festival

Y2 - 1 September 2011 through 30 September 2011

ER -

Bodytext

Abstract

Keywords / Materials (for Non-textual outputs)

Access to Document

Fingerprint

Research output

Bodytext essay

Activities

19th International Symposium on Electronic Art

Multimodal Communication: Language, Performance and Digital Media

Gaming the Game

Cite this