'Cant about decorum’: George Thomson’s singular edition of Robert Burns’s ‘The Jolly Beggars’

Robert Burns’s song editor George Thomson (1757–1851) issued the poet’s cantata ‘Love and Liberty’, also known as ‘The Jolly Beggars’, for the first time with music in 1818 (a setting of Burns’s text for narrator, solo singers, choir, and piano trio). The musical score was by London theatre composer Sir Henry Bishop and the text was edited by Thomson in line with his strict policy of decency and politeness. This essay tracks Thomson’s editorial curation of Burns’s text in the context of polite ‘improvement’ and argues that while pursuing apparent ‘decorum’, Thomson’s treatment struggles to negotiate the unruliness at the centre of what is now considered one of Burns’s most important works. The article pays particular attention to the complicated publication history of this work, revealing a chronology of popular print editions in advance of Thomson’s own, as well as the notable influence of Walter Scott’s remarks on the piece in the Quarterly Review. Examining the musical context of Thomson’s ‘Jolly Beggars’ alongside the text reveals a similar aspiration for elevation and the article presents the conversation between Thomson and Bishop, from manuscript correspondence.