Abstract
This article documents the recent production of City of Dreams, a theatre-installation work created in a transnational collaboration between UK and Vancouver artists, and which premiered at the 2011 PuSh International Performing Arts Festival in Vancouver. I draw on interviews conducted with cast members to assess the possibilities for constructing a poetic cartography of the city. I also consider the dilemmas and opportunities of representing public-private memory, and the uneasy ambiguity with which the project attempted to forge identification with a shared urban imaginary.
Original language | English |
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Pages (from-to) | 32-37 |
Journal | Canadian Theatre Review |
Volume | 148 |
DOIs | |
Publication status | Published - Oct 2011 |