Abstract
Over the years, the increasingly domineering heavy hand of the fashion industry’s ‘take-
make-waste’ production paradigm has contributed to the creation of systems that support fastvproduction, easy purchases and frequent disposal of inexpensive, poorly designed and often low-qualityvgarments. Prior research has slowly but steadily been working towards highlighting the fundamental rolevthat garment mending can play in supporting product longevity. While addressing clothing breakagesvthrough mending has been considerably explored as a user practice, how it can inform the process ofvgarment design has remained under-researched. Therefore, this paper takes its theoretical inspirationvfrom ‘broken-world thinking’ with a repair-centred sensibility as its point of departure. Here we takevmalfunction, as opposed to innovation or design, as the starting point of change and garment design.
Through this paper we then explore the opportunities to introduce and weave a repair ethos into everyvstage of the garment design process. In this way, we highlight the inseparability of repair from designvand the importance that basic design decisions can have for facilitating cultures of mending. We also identify the challenges and opportunities that such an approach entail. This paper presents findings from three student workshops in three design universities in different geographical locations. By exploring the preliminary results of this work we open up a discussion on re-evaluating present-day fashion design approaches by initiating a move towards a design sensibility for repair which is fundamental to the process of fashion design, particularly in the context of sustainability.
make-waste’ production paradigm has contributed to the creation of systems that support fastvproduction, easy purchases and frequent disposal of inexpensive, poorly designed and often low-qualityvgarments. Prior research has slowly but steadily been working towards highlighting the fundamental rolevthat garment mending can play in supporting product longevity. While addressing clothing breakagesvthrough mending has been considerably explored as a user practice, how it can inform the process ofvgarment design has remained under-researched. Therefore, this paper takes its theoretical inspirationvfrom ‘broken-world thinking’ with a repair-centred sensibility as its point of departure. Here we takevmalfunction, as opposed to innovation or design, as the starting point of change and garment design.
Through this paper we then explore the opportunities to introduce and weave a repair ethos into everyvstage of the garment design process. In this way, we highlight the inseparability of repair from designvand the importance that basic design decisions can have for facilitating cultures of mending. We also identify the challenges and opportunities that such an approach entail. This paper presents findings from three student workshops in three design universities in different geographical locations. By exploring the preliminary results of this work we open up a discussion on re-evaluating present-day fashion design approaches by initiating a move towards a design sensibility for repair which is fundamental to the process of fashion design, particularly in the context of sustainability.
| Original language | English |
|---|---|
| Title of host publication | PLATE Proceedings 2019 |
| Editors | Nils F Nissen, Melanie Jaeger-Erben |
| Publisher | Technische Universität Berlin |
| Chapter | 18 |
| Pages | 227-232 |
| Number of pages | 6 |
| ISBN (Electronic) | 978-3-7983-3125-9 |
| DOIs | |
| Publication status | Published - 18 Sept 2019 |
Keywords / Materials (for Non-textual outputs)
- mending
- design
- sustainability
- breakdown
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