(Dis)locating democratization: Music technologies in practice

Paul Harkins*, Nick Prior

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract / Description of output

This article examines the concept of democratization and explains why it has been applied in unhelpful ways to the study of music. We focus on three examples to illustrate the real-world complexities involved in the adoption of new technologies that are often seen as democratic by dint of their widespread use. We argue for a close-reading of the participatory practices of socially-located actors with music-making devices – one that asks detailed questions about who is participating, how, and under what socio-economic conditions. We finish with a call to move beyond the term democratization to an application that is specific to the field of popular music.
Original languageEnglish
JournalPopular Music and Society
Early online date22 Nov 2021
DOIs
Publication statusE-pub ahead of print - 22 Nov 2021

Keywords / Materials (for Non-textual outputs)

  • acid house
  • democratization
  • digitalization
  • grime
  • hip-hop
  • popular music
  • technologies

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