Distributed creativity in Karlheinz Stockhausen’s ‘Aus den Sieben Tagen’

Sean Williams

Research output: Contribution to conferencePaper

Abstract

I offer a perspective on authorship and copyright seen from the perspective of the members of the Cologne Ensemble, (later called the Stockhausen Ensemble), in the context of their difficulties with performing structured improvisations as interpreters rather than as co-authors.
Original languageEnglish
Publication statusPublished - 16 Jun 2014
Event(Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship - Institute for Advanced Studies in the Humanities, Edinburgh, United Kingdom
Duration: 16 Jun 201416 Jun 2014

Workshop

Workshop(Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship
CountryUnited Kingdom
CityEdinburgh
Period16/06/1416/06/14

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