Elektronische Studie II: by Karlheinz Stockhausen

Sean Williams; Karlheinz Stockhausen

Elektronische Studie II: by Karlheinz Stockhausen

Translated title of the contribution: Study II: by Karlheinz Stockhausen

Sean Williams (Other), Karlheinz Stockhausen (Composer)

Edinburgh College of Art

Research output: Non-textual form › Digital or Visual Products

Abstract

New realisation of the first electronic music piece to have been published as a realisation score in 1954. My version uses a combination of exact historical techniques and contemporary digital techniques to explore the performance practice of the 1950s West Deutsche Rundfunk Studio for Electronic Music, Cologne. This realisation makes some use of the digitally modelled spaces from Dr Stefan Bilbao's NESS project.

Translated title of the contribution	Study II: by Karlheinz Stockhausen
Original language	German
Place of Publication	Vienna, Austria
Publisher	Universal Editions
Edition	Score
Publication status	Published - 2013

Keywords / Materials (for Non-textual outputs)

electronic music
performance practice

1 Active
2 Finished

Sound Projection
Williams, S.
1/09/12 → …
Project: Other (Non-Funded/Miscellaneous)
DOCUMENTING THE RECENT HISTORY OF ELECTRONIC MUSIC PERFORMANCE PRACTICE
Williams, S.
UK-based charities
1/09/12 → 31/08/15
Project: Research
NESS - Listening to the future: Next-generation Sound Synthesis through Simulation
Bilbao, S.
EU government bodies
1/01/12 → 31/12/16
Project: Research

2 Paper
1 Article
1 Performance

Interpretation and performance practice in realising Stockhausen’s Studie II
Williams, S., 10 Nov 2016, In: Journal of the Royal Musical Association. 141, 2
Research output: Contribution to journal › Article › peer-review

Open Access
File
Strict serialism or structured improvisation? The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne
Williams, S., 17 Jul 2014.
Research output: Contribution to conference › Paper › peer-review
Performing shapes: Studio performance practice in realising Stockhausen’s Studie II
Williams, S., 22 Nov 2013.
Research output: Contribution to conference › Paper › peer-review

Open Access
File

1 Participation in conference

Centre for Musical Performance as Creative Music Practice
Sean Williams (Speaker)
17 Jul 2014
Activity: Participating in or organising an event types › Participation in conference

File

Cite this

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title = "Elektronische Studie II: by Karlheinz Stockhausen",

abstract = "New realisation of the first electronic music piece to have been published as a realisation score in 1954. My version uses a combination of exact historical techniques and contemporary digital techniques to explore the performance practice of the 1950s West Deutsche Rundfunk Studio for Electronic Music, Cologne. This realisation makes some use of the digitally modelled spaces from Dr Stefan Bilbao's NESS project.",

keywords = "electronic music, performance practice",

author = "Sean Williams and Karlheinz Stockhausen",

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AB - New realisation of the first electronic music piece to have been published as a realisation score in 1954. My version uses a combination of exact historical techniques and contemporary digital techniques to explore the performance practice of the 1950s West Deutsche Rundfunk Studio for Electronic Music, Cologne. This realisation makes some use of the digitally modelled spaces from Dr Stefan Bilbao's NESS project.

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M3 - Digital or Visual Products

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Elektronische Studie II: by Karlheinz Stockhausen

Abstract

Keywords / Materials (for Non-textual outputs)

Fingerprint

Sound Projection

DOCUMENTING THE RECENT HISTORY OF ELECTRONIC MUSIC PERFORMANCE PRACTICE

NESS - Listening to the future: Next-generation Sound Synthesis through Simulation

Interpretation and performance practice in realising Stockhausen’s Studie II

Strict serialism or structured improvisation? The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne

Performing shapes: Studio performance practice in realising Stockhausen’s Studie II

Centre for Musical Performance as Creative Music Practice

Cite this

Elektronische Studie II: by Karlheinz Stockhausen

Abstract

Keywords / Materials (for Non-textual outputs)

Fingerprint

Projects

Sound Projection

DOCUMENTING THE RECENT HISTORY OF ELECTRONIC MUSIC PERFORMANCE PRACTICE

NESS - Listening to the future: Next-generation Sound Synthesis through Simulation

Research output

Interpretation and performance practice in realising Stockhausen’s Studie II

Strict serialism or structured improvisation? The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne

Performing shapes: Studio performance practice in realising Stockhausen’s Studie II

Activities

Centre for Musical Performance as Creative Music Practice

Cite this