Flow Co Motion

Jenny Hogarth; Bo Mulholland

Flow Co Motion

Jenny Hogarth, Bo Mulholland (Other)

Research output: Non-textual form › Digital or Visual Products

Abstract

Three channel digital video installation, 338 foam bricks

'Flow Co Motion' is an intimate, diaristic portrait of the artist's relationship with her eldest child Bo. Shot over several years, the viewer is invited to accompany them on trips to the bookshop, cycling, getting lost in a maze and practicing yoga; they share philosophical, fantastical and everyday insights into how Bo’s autism shapes his encounters with the world and the dynamics of their relationship.

Within the work both Jenny and Bo’s points of view are presented in bouncing motion, produced using a video editing filter known as Warp Stabilisation, ordinarily used to counter camera shake. This effect could be understood as an opportunity to “normalise” footage according to neurotypical perceptions. The work stresses accessibility, with the captions, timer and transitions produced to both aid and refer to sensory differences. The 2 person POV sections are interspersed with a series of abstract videos seen from Bo’s perspective. Intersecting and interrupting, these are unpredictable snapshots of life through his eyes.

Original language	English
Place of Publication	Talbot Rice Gallery
Publisher	Talbot Rice Gallery
Media of output	Installation
Size	24 minutes 52 seconds
Publication status	Published - 26 Mar 2022
Event	Meet me at the threshold - Talbot Rice Gallery, Edinburgh, United Kingdom Duration: 26 Mar 2022 → 23 May 2022

Keywords / Materials (for Non-textual outputs)

Artist moving image
Auto Theory
Auto Fiction
Stimming
Mother
Autism

Type (for Non-textual outputs)

Art
Video art
Installation

Cite this

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title = "Flow Co Motion",

abstract = "Three channel digital video installation, 338 foam bricks 'Flow Co Motion' is an intimate, diaristic portrait of the artist's relationship with her eldest child Bo. Shot over several years, the viewer is invited to accompany them on trips to the bookshop, cycling, getting lost in a maze and practicing yoga; they share philosophical, fantastical and everyday insights into how Bo{\textquoteright}s autism shapes his encounters with the world and the dynamics of their relationship. Within the work both Jenny and Bo{\textquoteright}s points of view are presented in bouncing motion, produced using a video editing filter known as Warp Stabilisation, ordinarily used to counter camera shake. This effect could be understood as an opportunity to “normalise” footage according to neurotypical perceptions. The work stresses accessibility, with the captions, timer and transitions produced to both aid and refer to sensory differences. The 2 person POV sections are interspersed with a series of abstract videos seen from Bo{\textquoteright}s perspective. Intersecting and interrupting, these are unpredictable snapshots of life through his eyes. ",

keywords = "Artist moving image, Auto Theory, Auto Fiction, Stimming, Mother, Autism",

author = "Jenny Hogarth and Bo Mulholland",

note = "At Freelands Foundation, we believe art is central to a broad and balanced education, and a right for everyone. We are driven by a conviction in the vital role of learning and making to foster creativity, resilience, criticality, and problem-solving that empowers and equips us for the future. We do this by championing the symbiotic relationship between teaching, learning, and making art, and encourage artists to teach and view teaching as an artistic practice. We value life-long learning as integral to artists{\textquoteright} work – enabling collaborative relationships between teachers, schools, and universities with galleries and museums. To foster the development of bold and diverse approaches to teaching and learning art in all contexts, we research and explore art education at all levels: from primary to postgraduate, as well as outside the formal system. Through progressive training and development, we support teachers to expand and sustain their practices. Our approach combines our ongoing funding, in the form of grants, awards, fellowships, and residencies, with action research. We offer and support academic commissions, workshops, discussions, exhibitions, publications, films, and partnerships, alongside a dedicated resource Library and a growing repository of informative, instructional, and inspiring online resources. Freelands Foundation was set up in 2015 by Elisabeth Murdoch. It is a registered charity (number 1162648).; Meet me at the threshold ; Conference date: 26-03-2022 Through 23-05-2022",

year = "2022",

month = mar,

day = "26",

language = "English",

publisher = "Talbot Rice Gallery",

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A2 - Mulholland, Bo

N1 - At Freelands Foundation, we believe art is central to a broad and balanced education, and a right for everyone. We are driven by a conviction in the vital role of learning and making to foster creativity, resilience, criticality, and problem-solving that empowers and equips us for the future. We do this by championing the symbiotic relationship between teaching, learning, and making art, and encourage artists to teach and view teaching as an artistic practice. We value life-long learning as integral to artists’ work – enabling collaborative relationships between teachers, schools, and universities with galleries and museums. To foster the development of bold and diverse approaches to teaching and learning art in all contexts, we research and explore art education at all levels: from primary to postgraduate, as well as outside the formal system. Through progressive training and development, we support teachers to expand and sustain their practices. Our approach combines our ongoing funding, in the form of grants, awards, fellowships, and residencies, with action research. We offer and support academic commissions, workshops, discussions, exhibitions, publications, films, and partnerships, alongside a dedicated resource Library and a growing repository of informative, instructional, and inspiring online resources. Freelands Foundation was set up in 2015 by Elisabeth Murdoch. It is a registered charity (number 1162648).

PY - 2022/3/26

Y1 - 2022/3/26

N2 - Three channel digital video installation, 338 foam bricks 'Flow Co Motion' is an intimate, diaristic portrait of the artist's relationship with her eldest child Bo. Shot over several years, the viewer is invited to accompany them on trips to the bookshop, cycling, getting lost in a maze and practicing yoga; they share philosophical, fantastical and everyday insights into how Bo’s autism shapes his encounters with the world and the dynamics of their relationship. Within the work both Jenny and Bo’s points of view are presented in bouncing motion, produced using a video editing filter known as Warp Stabilisation, ordinarily used to counter camera shake. This effect could be understood as an opportunity to “normalise” footage according to neurotypical perceptions. The work stresses accessibility, with the captions, timer and transitions produced to both aid and refer to sensory differences. The 2 person POV sections are interspersed with a series of abstract videos seen from Bo’s perspective. Intersecting and interrupting, these are unpredictable snapshots of life through his eyes.

AB - Three channel digital video installation, 338 foam bricks 'Flow Co Motion' is an intimate, diaristic portrait of the artist's relationship with her eldest child Bo. Shot over several years, the viewer is invited to accompany them on trips to the bookshop, cycling, getting lost in a maze and practicing yoga; they share philosophical, fantastical and everyday insights into how Bo’s autism shapes his encounters with the world and the dynamics of their relationship. Within the work both Jenny and Bo’s points of view are presented in bouncing motion, produced using a video editing filter known as Warp Stabilisation, ordinarily used to counter camera shake. This effect could be understood as an opportunity to “normalise” footage according to neurotypical perceptions. The work stresses accessibility, with the captions, timer and transitions produced to both aid and refer to sensory differences. The 2 person POV sections are interspersed with a series of abstract videos seen from Bo’s perspective. Intersecting and interrupting, these are unpredictable snapshots of life through his eyes.

KW - Artist moving image

KW - Auto Theory

KW - Auto Fiction

KW - Stimming

KW - Mother

KW - Autism

UR - https://vimeo.com/711115725

M3 - Digital or Visual Products

PB - Talbot Rice Gallery

CY - Talbot Rice Gallery

T2 - Meet me at the threshold

Y2 - 26 March 2022 through 23 May 2022

ER -

Flow Co Motion

Abstract

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Type (for Non-textual outputs)

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