Abstract / Description of output
Questo è il primo studio comparatistico dei riferimenti di Pasolini alla Ciaccona per violino solo di Bach (BWV 1004). A partire da una lettura linguistica dei giovanili Studi sullo stile di Bach (1944-45), questo saggio avanza l’ipotesi che la Ciaccona rappresenti un modello di scrittura che Pasolini sviluppa con la sua teoria semiologica ed esplora attraverso diversi mezzi espressivi. Sul piano tematico, la solitudine dello scrittore emerge con un nuovo senso compositivo e critico, dialogico e corale.
This is the first comparative study of Pasolini’s references to Bach’s Chaconne for solo violin (BWV 1004). Starting from a linguistic reading of his youthful Studies on Bach’s Style (1944-45), this essay puts forward the hypothesis that the Chaconne provides a model of writing that Pasolini develops with his semiological theory and explores through different expressive means. On a thematic level, the writer’s solitude emerges with a new compositional and critical, dialogical and choral sense.
This is the first comparative study of Pasolini’s references to Bach’s Chaconne for solo violin (BWV 1004). Starting from a linguistic reading of his youthful Studies on Bach’s Style (1944-45), this essay puts forward the hypothesis that the Chaconne provides a model of writing that Pasolini develops with his semiological theory and explores through different expressive means. On a thematic level, the writer’s solitude emerges with a new compositional and critical, dialogical and choral sense.
Translated title of the contribution | The Song of the Solo Violin: Pasolini and Bach's Chaconne |
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Original language | Italian |
Pages (from-to) | 51-80 |
Journal | Intersezioni |
Volume | 2024 |
Issue number | 1 |
DOIs | |
Publication status | Published - 1 Apr 2024 |
Keywords / Materials (for Non-textual outputs)
- solitudine - solitude
- variazione - variation
- Tombeau
- funzione poetica - poetic function
- Anacrusi - Anacrusis