Interval and Instance: Time and focus in the films of Eric Lucey

Jules Rawlinson; Rachel Hosker

Interval and Instance: Time and focus in the films of Eric Lucey

Jules Rawlinson (Composer), Rachel Hosker (Other)

Edinburgh College of Art

Research output: Non-textual form › Performance

Abstract / Description of output

Interval and Instance is a work for live cinema by composer Jules Rawlinson exploring time and focus in archival material from the pioneering scientific filmmaker Eric Lucey adding a solo live electronic score and sound design. The performance examines speed, motion and scale in film and sound. The soundtrack makes use of extensive layering, time-stretching and time-compression, extreme pitch-shifting, physical modelling and frequency carving to create unexpected points of audition which offers audiences a detailed and immersive audio-visual experience that incorporates spectralism, minimalism, modular synthesis and granular detail that support and draw attention to the visual character of the films.

Original language	English
Media of output	Film
Publication status	Published - 30 Jun 2018
Event	Edinburgh International Film Festival 2018 - Filmhouse, Edinburgh, United Kingdom Duration: 20 Jun 2018 → 1 Jul 2018

Keywords / Materials (for Non-textual outputs)

film music
sound design
sound art
electronic music
performance practice

Access to Document

https://vimeo.com/317479814Licence: Creative Commons: Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND)

Cite this

@misc{189c1f0032b3474091e125052fd0379f,

title = "Interval and Instance: Time and focus in the films of Eric Lucey",

abstract = "Interval and Instance is a work for live cinema by composer Jules Rawlinson exploring time and focus in archival material from the pioneering scientific filmmaker Eric Lucey adding a solo live electronic score and sound design. The performance examines speed, motion and scale in film and sound. The soundtrack makes use of extensive layering, time-stretching and time-compression, extreme pitch-shifting, physical modelling and frequency carving to create unexpected points of audition which offers audiences a detailed and immersive audio-visual experience that incorporates spectralism, minimalism, modular synthesis and granular detail that support and draw attention to the visual character of the films.",

keywords = "film music, sound design, sound art, electronic music, performance practice",

author = "Jules Rawlinson and Rachel Hosker",

year = "2018",

month = jun,

day = "30",

language = "English",

note = "Edinburgh International Film Festival 2018, EIFF ; Conference date: 20-06-2018 Through 01-07-2018",

}

TY - ADVS

T1 - Interval and Instance

T2 - Edinburgh International Film Festival 2018

A2 - Rawlinson, Jules

A2 - Hosker, Rachel

PY - 2018/6/30

Y1 - 2018/6/30

N2 - Interval and Instance is a work for live cinema by composer Jules Rawlinson exploring time and focus in archival material from the pioneering scientific filmmaker Eric Lucey adding a solo live electronic score and sound design. The performance examines speed, motion and scale in film and sound. The soundtrack makes use of extensive layering, time-stretching and time-compression, extreme pitch-shifting, physical modelling and frequency carving to create unexpected points of audition which offers audiences a detailed and immersive audio-visual experience that incorporates spectralism, minimalism, modular synthesis and granular detail that support and draw attention to the visual character of the films.

AB - Interval and Instance is a work for live cinema by composer Jules Rawlinson exploring time and focus in archival material from the pioneering scientific filmmaker Eric Lucey adding a solo live electronic score and sound design. The performance examines speed, motion and scale in film and sound. The soundtrack makes use of extensive layering, time-stretching and time-compression, extreme pitch-shifting, physical modelling and frequency carving to create unexpected points of audition which offers audiences a detailed and immersive audio-visual experience that incorporates spectralism, minimalism, modular synthesis and granular detail that support and draw attention to the visual character of the films.

KW - film music

KW - sound design

KW - sound art

KW - electronic music

KW - performance practice

UR - https://www.edfilmfest.org.uk/sites/edfilmfest.org.uk/files/inline-files/EIFF-Brochure-2018-FINALWeb.pdf

M3 - Performance

Y2 - 20 June 2018 through 1 July 2018

ER -

Interval and Instance: Time and focus in the films of Eric Lucey

Abstract / Description of output

Keywords / Materials (for Non-textual outputs)

Access to Document

Other files and links

Fingerprint

Sounding Time and Focus in the Scientific Films of Eric Lucey

Interval and Instance: Sonorities Multichannel Performance Document

Sounding time and focus in Interval and Instance

Jules Rawlinson

Cite this

Interval and Instance: Time and focus in the films of Eric Lucey

Abstract / Description of output

Keywords / Materials (for Non-textual outputs)

Access to Document

Other files and links

Fingerprint

Research output

Sounding Time and Focus in the Scientific Films of Eric Lucey

Interval and Instance: Sonorities Multichannel Performance Document

Sounding time and focus in Interval and Instance

Profiles

Jules Rawlinson

Cite this