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Abstract
The article explores a range of memos that Joan Littlewood wrote to Cedric Price, which are distributed in the collections of different institutions. Drawing on Jose Luis Pardo's concept of intimacy, it argues that these are intimate lines that resist translation nor transcription, and thus escape assimilation by media. Crucially, these rhapsodic notes are a site of representation of the Fun Palace, and their agency is to keep the production flowing.
| Original language | English |
|---|---|
| Type | Joan Litlewood's Memos to Cedric Price |
| Publisher | Drawing Matter |
| Number of pages | 2 |
| Publication status | Published - 21 Nov 2022 |
Keywords
- Joan Littlewood
- Cedric Price
- intimacy
- publicity
- Fun Palace
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Fun Palace: Power and Public Space
Bonet Miro, A. & Blunderfield, M. (ed.), 6 Jul 2022Research output: Other contribution
Open Access -
Authorship and the archive: The reception of the Fun Palace
Bonet Miro, A., 3 Nov 2021, In: RA Revista de Arquitectura. 23, p. 32-49 18 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile -
Self-organisation: The Fun Palace's gridded excess
Bonet Miro, A., 4 Jun 2021.Research output: Contribution to conference › Paper › peer-review
Activities
- 1 Invited talk
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News from the British Sixties: Fun Palace's Press Cuttings
Ana Bonet Miro (Keynote speaker) & Maria José Martínez Sánchez (Chair)
11 Sep 2021Activity: Academic talk or presentation types › Invited talk