Katherine Philips

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

    Abstract

    The seventeenth-century poet Katherine Philips has predominantly been interpreted as an English poet of royalist sympathies preoccupied with the theme of female friendship in a Platonic coterie context that was reliant on manuscript circulation. This chapter explores these approaches but argues that the poet’s complex biographical and ideological background both expands these accepted interpretations and complicates them in a variety of ways. By looking instead at Philips primarily as an Anglophone Welsh women writer, who also spent a key part of her literary career in Dublin, it is suggested that she shaped her poetic identity within a local bardic as well as an archipelagic context. As such, Philips’ much noted cultivation of poetic friendship and her authorial practices can be seen as directly linked to and thus shaped by the cultural and geographical immediacy of her Welsh and Irish experience.
    Original languageEnglish
    Title of host publicationSeventeenth-Century British Poetry
    EditorsLaura Knoppers
    Place of PublicationOxford
    PublisherOxford University Press
    Chapter33
    Pages448-460
    Number of pages576
    Edition1st
    ISBN (Electronic)9780198930259
    ISBN (Print)9780198852803
    DOIs
    Publication statusPublished - 8 Aug 2024

    Publication series

    NameThe Oxford History of Poetry in English
    PublisherOxford University Press
    Volume5

    Keywords / Materials (for Non-textual outputs)

    • Katherine Philips
    • Orinda
    • Wales
    • Ireland
    • archipelagic
    • royalism
    • print
    • manuscript
    • coterie

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