Abstract / Description of output
In September 1920, a French translation of Lady Gregory's 1906 play The Gaol Gate was staged in a Parisian drawing room. The play's original setting outside the gate of Galway Gaol was transferred to Mountjoy Prison at a time of republican hunger strikes. The drama's central character of Denis Cahel – refusing to inform on his neighbours and hanged as a consequence – gained contemporary currency with Terence MacSwiney's hunger strike and impending death as both men had turned their bodies into a political tool. With a focus on the concept of the political body, this article illustrates the power of The Gaol Gate by tracing the play's provenance and production history, demonstrating its flexibility through performance in a particular historical context.
Original language | English |
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Pages (from-to) | 277-291 |
Journal | Irish Studies Review |
Volume | 23 |
Issue number | 3 |
DOIs | |
Publication status | Published - 26 Jun 2015 |
Keywords / Materials (for Non-textual outputs)
- Lady Augusta Gregory
- Abbey Theatre
- Irish Drama
- Irish Drama in France
- Revolution
- Hunger Strike
- Reception Studies
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Dive into the research topics of 'Lady Gregory's "The Gaol Gate", Terence MacSwiney, and the Abbey Theatre'. Together they form a unique fingerprint.Prizes
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Postgraduate Bursary, Lady Gregory's Drama - Archival Research
Pilz, Anna (Recipient), 2011
Prize: Prize (including medals and awards)