TY - JOUR
T1 - Making London porcelain—A multidisciplinary project connecting local communities with the technological and innovation histories of London’s early porcelain manufacturers
AU - Burgio, Lucia
AU - Domoney, Kelly
AU - Haseldine, Georgia
AU - McCaffrey-Howarth, Caroline
N1 - Funding Information:
In Europe, the necessary skill and knowledge to make white porcelain successfully—a much-desired import from China and Japan in the early modern period—remained a mystery for several centuries. Artists and scientists in many countries attempted to replicate the process, and through trial and error, several of them eventually succeeded. In England, two of the first manufacturers to do so were the Chelsea and Bow factories, established in London in the mid-eighteenth century. Can the technical innovation, creativity, entrepreneurship and determination of these two London porcelain factories still inspire scientists, artists, curators, young people and London communities today? This was the leading question behind Making London Porcelain, an ambitious 6-month pilot project between the Victoria and Albert Museum (V&A), The Ashmolean Museum, and the London Borough of Newham, which sought to demonstrate the ways in which science-led analysis (until now confined to laboratories largely operating behind the scenes) [,] can generate new understandings of ceramic heritage through public engagement. This project, entitled in full ‘Experimentation and Placemaking: connecting communities with the technological and innovation histories of London’s early porcelain Manufacturers’ ran from January to July 2022 and was supported by UK Research and Innovation (UKRI) through the Arts and Humanities Research Council (AHRC) Capability for Collections (CapCo) fund [].
Funding Information:
From the very inception of this Making London Porcelain project, our chosen case study for the Chelsea factory focused on one of the most significant pieces of early English sculptural porcelain, the Head of a Laughing Child. Only two examples are known. One, discovered in 1938 [], held by the Ashmolean Museum since 1965 and once described by Nicholas Penny as ‘the most celebrated piece of porcelain in the Ashmolean Museum’ [], and the second, discovered ten years ago and acquired by the V&A in 2019 with generous support from the Art Fund, V&A Members and funds from the Hugh Phillips and the Murray Bequest []. Both examples of slipcast porcelain, these artworks are testament to the artistic quality and sculptural ambition of the Chelsea factory during its earliest and most experimental phase, when they, just like Bow, were working to perfect the efficiency and quality of their production. For almost the full duration of this project the two busts were displayed side-by-side in a case dedicated to ceramic sculpture in the Ceramics Galleries at the V&A, which was fully accessible to all museum visitors . Currently, the dating of the two Laughing Child busts is solely based on aesthetic value and the visual perception of the porcelain body. This project performed a comparative scientific analysis of the two busts for the first time. It also spurred academics, curators and professionals working in ceramic heritage to finally pay due attention to the materiality, attribution and art historical importance of these two unique busts .
Funding Information:
The authors are grateful to the Arts and Humanities Research Council’s Capability for Collections Fund (grant no. AH/FX003345/1) for enabling this project. The UKRI is also acknowledged for funding the refurbishment of the V&A science laboratory (project reference AH/V012134/1).
PY - 2023/2/15
Y1 - 2023/2/15
N2 - This collaborative multidisciplinary pilot project involving the Victoria and Albert Museum (V&A), the Ashmolean Museum, and Newham Borough of London, examined the composition of a selection of eighteenth-century porcelain objects by two of London’s first porcelain manufacturers, Bow and Chelsea. As the first science-based public engagement project to be piloted by the V&A, it succeeded in bringing together young Londoners and their communities to investigate local histories of scientific and artistic innovation through the analysis and remaking of eighteenth-century porcelain. Scientific object analysis informed activities with local sixth-form students, revealing the intimate link between art and science, and showcasing the V&A Science Lab as a national hub for heritage science. Public outreach activities, including an exhibition at Stratford Library and workshops for Newham Heritage Month also provided hands-on learning, including curatorial and object-handling experience, and the embodied practices of remaking. Ultimately, this project stimulated new ways of engaging with ceramics collections and explored how the creativity and ingenuity of eighteenth-century ceramics pioneers can provide inspiration for the next generation of makers.
AB - This collaborative multidisciplinary pilot project involving the Victoria and Albert Museum (V&A), the Ashmolean Museum, and Newham Borough of London, examined the composition of a selection of eighteenth-century porcelain objects by two of London’s first porcelain manufacturers, Bow and Chelsea. As the first science-based public engagement project to be piloted by the V&A, it succeeded in bringing together young Londoners and their communities to investigate local histories of scientific and artistic innovation through the analysis and remaking of eighteenth-century porcelain. Scientific object analysis informed activities with local sixth-form students, revealing the intimate link between art and science, and showcasing the V&A Science Lab as a national hub for heritage science. Public outreach activities, including an exhibition at Stratford Library and workshops for Newham Heritage Month also provided hands-on learning, including curatorial and object-handling experience, and the embodied practices of remaking. Ultimately, this project stimulated new ways of engaging with ceramics collections and explored how the creativity and ingenuity of eighteenth-century ceramics pioneers can provide inspiration for the next generation of makers.
KW - Bow
KW - ceramic heritage
KW - Chelsea
KW - English porcelain
KW - public engagement
KW - scientific analysis
UR - http://www.scopus.com/inward/record.url?scp=85149200608&partnerID=8YFLogxK
U2 - 10.3390/heritage6020105
DO - 10.3390/heritage6020105
M3 - Article
AN - SCOPUS:85149200608
SN - 2571-9408
VL - 6
SP - 1958
EP - 1976
JO - Heritage
JF - Heritage
IS - 2
ER -