Abstract
The chapter discusses Marina Tsvetaeva's poetic rendering of famous icons in her Moscow poems in the context of cultural developments in the 1920s-30s, with the focus on the avant-garde art. It includes a brief discussion of Tsvetaeva's poetic dialogue with Mandel'shtam.
| Original language | English |
|---|---|
| Title of host publication | Framing Mary |
| Subtitle of host publication | The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture |
| Editors | Amy Singleton Adams, Vera Shevzov |
| Place of Publication | DeKalb, IL |
| Publisher | Northern Illinois University Press |
| Chapter | 6 |
| Pages | 144-162 |
| Number of pages | 19 |
| ISBN (Electronic) | 9781609092351 |
| ISBN (Print) | 9780875807768 |
| Publication status | Published - 24 Apr 2017 |
Keywords / Materials (for Non-textual outputs)
- Russian religion
- Tsvetaeva
- Russian modernist poetry
- Virgin Mary and Russian icons
- The Mother of God
