Abstract
This article considers the connections between masculinity and heroic agency in certain versions of popularfilm. It proposes that how films dignify and celebrate the suffering and striving of their leading men may be quite centrally indicative of durable sensibilities regarding the qualities and virtues seen as defining manliness; and, moreover, that some of the more drastic reaffirmations of rugged masculinity in recentfilms starring Schwarzennegger, Stallone, and others are in reaction against instabilities in current notions of masculine gender identities. It is in suck aspects of representation, and in what they suggest about the appeal of such films to their audiences, that we should now locate discussions of the social influences of screen 'violence'.
| Original language | English |
|---|---|
| Title of host publication | Crime, Criminal Justice and Masculinities |
| Editors | Stephen Tomsen |
| Publisher | Taylor and Francis AS |
| Pages | 249-261 |
| Number of pages | 13 |
| ISBN (Electronic) | 9781351570671 |
| ISBN (Print) | 9780754627401 |
| Publication status | Published - 5 Jul 2017 |