Maurice Busset’s Modernity: The Prints of Paris bombardé

Peter Clericuzio

Maurice Busset’s Modernity: The Prints of Paris bombardé

Peter Clericuzio

Edinburgh College of Art

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Abstract

Examines the lithographs and woodblock prints by Maurice Busset issued in the folio entitled 'Paris bombardé' in 1919, which concerns the heaviest bombardment of Paris by German aircraft in 1918. It discusses how Busset created modern print images in part by referencing other new image-making technologies, particularly autochrome photography that had just been invented prior to the war, as part of his quest to memorialize the heroism of the French people and airmen who risked their lives during the conflict.

Original language	English
Title of host publication	Myth and Machine
Subtitle of host publication	Art and Aviation in the First World War
Place of Publication	Miami Beach, FL, USA
Publisher	The Wolfsonian - FIU
Pages	23-31
Number of pages	9
Publication status	Published - 1 Nov 2014

Cite this

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Maurice Busset’s Modernity: The Prints of Paris bombardé

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