Abstract
This volume explores the interaction between text and image in Indian Buddhist contexts, including not only the complex relationship between verbal stories and visual representations at Indian sites, but also the ways in which visual imagery is used within textual narratives. The chapters are authored by a mixture of textual scholars and art historians, bringing together different disciplinary perspectives in order to seek a richer understanding of how text and art relate, and of the role of narrative imagery in different media and contexts.
The book opens with an introduction that explores what narratives and visual narratives are, and why we might want to study narrative images alongside imagery-rich literary narratives. The volume is then divided into three parts. The chapters in “Part I: Visual Narratives” (Zaghet, Reddy, Zin) explore visual depictions of stories in their own right; those in “Part II: Narrative Networks” (Mace, Appleton & Clark, Strong) seek to understand the relationship between specific visual and verbal narratives; and those in “Part III: Narrative Visions” (Gummer, Fiordalis, Walters) primarily investigate how visual imagery and visualisation work in textual narratives.
The volume seeks to bridge the divide that traditionally exists between textual scholars and art historians, and to challenge the contributors to think beyond the usual boundaries of our work.
The book opens with an introduction that explores what narratives and visual narratives are, and why we might want to study narrative images alongside imagery-rich literary narratives. The volume is then divided into three parts. The chapters in “Part I: Visual Narratives” (Zaghet, Reddy, Zin) explore visual depictions of stories in their own right; those in “Part II: Narrative Networks” (Mace, Appleton & Clark, Strong) seek to understand the relationship between specific visual and verbal narratives; and those in “Part III: Narrative Visions” (Gummer, Fiordalis, Walters) primarily investigate how visual imagery and visualisation work in textual narratives.
The volume seeks to bridge the divide that traditionally exists between textual scholars and art historians, and to challenge the contributors to think beyond the usual boundaries of our work.
| Original language | English |
|---|---|
| Place of Publication | Sheffield |
| Publisher | Equinox Publishing |
| Number of pages | 256 |
| ISBN (Electronic) | 9781800501324 |
| ISBN (Print) | 9781800501300, 9781800501317 |
| DOIs | |
| Publication status | Published - 22 Apr 2022 |
Fingerprint
Dive into the research topics of 'Narrative Visions and Visual Narratives in Indian Buddhism'. Together they form a unique fingerprint.Research output
- 2 Chapter (peer-reviewed)
-
Beyond textual and visual "versions": The story cluster of the six-tusked elephant Bodhisattva
Appleton, N. & Clark, C., 22 Apr 2022, Narrative Visions and Visual Narratives in Indian Buddhism. Appleton, N. (ed.). Sheffield: Equinox Publishing, p. 160-185Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
-
Setting the scene: Verbal and visual narratives in Indian Buddhism
Appleton, N., 22 Apr 2022, Narrative Visions and Visual Narratives in Indian Buddhism. Appleton, N. (ed.). Sheffield: Equinox Publishing, p. 1-27Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
Activities
- 1 Public Engagement – Media article or participation
-
Book Launch
Appleton, N. (Invited speaker)
17 Jun 2022Activity: Participating in or organising an event types › Public Engagement – Media article or participation
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver