Nude Without a Frame: The Negotiation of Glaswegian Social Critique and Continental Influence in Joan Eardley’s Figurative Work

Edinburgh College of Art

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Original language	English
Title of host publication	British Art as International Art: 1851-1960 Symposium University of East Anglia
Publication status	Unpublished - Apr 2012

Cite this

@inproceedings{573e8841d89b4fdbb67fe83504cacb2a,

title = "Nude Without a Frame: The Negotiation of Glaswegian Social Critique and Continental Influence in Joan Eardley{\textquoteright}s Figurative Work",

author = "Merlin Seller",

year = "2012",

month = apr,

language = "English",

booktitle = "British Art as International Art: 1851-1960 Symposium University of East Anglia",

}