Projects per year
Abstract
The deprivation ravaging East London’s urban life grounded the Fun Palace programme that Joan Littlewood initiated early 1960s. If the democratic and transformative agency of the playground became the master image of this cultural programme, it is the encounter with the local government politics of slum clearance that shaped Stratford Fair between 1967 and 1975. Coordinated by Littlewood and addressed to the local youth, it was an educational initiative to reclaim public land through the production of community-led and temporary playgrounds and fair events in the vacant sites near The Theatre Royal.
The democratic ends and systematic means of Stratford Fair were constituted by the interweaving of playground and archive. Scholarship to date has discussed Stratford playgrounds as a trigger for the political imagination of minority local youths, but has left unexplored the central role that media played in the construction of its public agenda. This paper explores the archive as an active site for Stratford Fair. Drawing on the concept of cultural techniques, the analysis of a range of records grounds the discussion of how these objects and the practices that they constitute speak politically about the fair’s public ambition. It also reflects upon the distributed agency of the archive as site of representation of the fair, and questions the lack of attention to Stratford Fair in architectural scholarship to date.
The democratic ends and systematic means of Stratford Fair were constituted by the interweaving of playground and archive. Scholarship to date has discussed Stratford playgrounds as a trigger for the political imagination of minority local youths, but has left unexplored the central role that media played in the construction of its public agenda. This paper explores the archive as an active site for Stratford Fair. Drawing on the concept of cultural techniques, the analysis of a range of records grounds the discussion of how these objects and the practices that they constitute speak politically about the fair’s public ambition. It also reflects upon the distributed agency of the archive as site of representation of the fair, and questions the lack of attention to Stratford Fair in architectural scholarship to date.
Original language | English |
---|---|
Publication status | Published - Nov 2017 |
Event | 14th AHRA Annual Conference: Architecure, Festival and the City - Birmingham, United Kingdom Duration: 16 Nov 2017 → 18 Nov 2017 |
Conference
Conference | 14th AHRA Annual Conference: Architecure, Festival and the City |
---|---|
Country/Territory | United Kingdom |
City | Birmingham |
Period | 16/11/17 → 18/11/17 |
Keywords / Materials (for Non-textual outputs)
- Joan Littlewood
- Fun Palace
- archive
- media
- playground
- Cedric Price
- memory
Fingerprint
Dive into the research topics of 'On Playgrounds and the Archive. Joan Littlewood's Stratford Fair, 1967-1975'. Together they form a unique fingerprint.Projects
- 1 Finished
-
'Architecture, Media and Archives: the Fun Palace of Joan Littlewood and Cedric Price as a Cultural Project'
5/01/14 → 31/08/24
Project: Research
-
Architecture, Media, Archives: The Fun Palace of Joan Littlewood and Cedric Price as a Cultural Project
Bonet Miro, A., 19 Sept 2024, London: Bloomsbury . 272 p.Research output: Book/Report › Book
-
Joan Littlewood's memos to Cedric Price
Bonet Miro, A., 21 Nov 2022Research output: Non-textual form › Web publication/site
-
On playgrounds and the archive. Joan Littlewood's Stratford Fair, 1967-1975
Bonet Miro, A., 12 Apr 2019, In: Architecture and Culture. 6, 3, p. 387-398Research output: Contribution to journal › Article › peer-review
Open AccessFile
Profiles
-
Ana Bonet Miro
- Edinburgh College of Art - Senior Lecturer
- Edinburgh School of Architecture and Landscape Architecture
Person: Academic: Research Active