TY - JOUR
T1 - (Post)modernism and Feminist Art History: The Reception of the Male Nude in Twentieth-century Greek Painting
AU - Dimitrakaki, Angela
PY - 2003
Y1 - 2003
N2 - his article, based on the author's PhD (Reading University, UK, 2000), examines the processes and discourses leading to a hegemonic framework of meaning in art history and criticism in 20th-century Greece. The ideological construct of the periphery (versus an assumed centre), the quest for a national subject in art and the inconclusive debates on modernism and postmodernism constitute key issues in this enquiry, which takes as its case study the interplay of present (dominant) and absent (suppressed) meanings in readings of the male nude, with specific reference to the work of Greek artists Yannis Tsarouchis and Aspa Stassinopoulou. The article, the first study of the subject in a materialist-feminist context, uses the reception of the male nude by the 20th-century Greek art scene to raise more general issues concerning the reasons that often lead to the marginalisation of feminist politics in the art discourse of the self-identified 'margins' of modernism.
AB - his article, based on the author's PhD (Reading University, UK, 2000), examines the processes and discourses leading to a hegemonic framework of meaning in art history and criticism in 20th-century Greece. The ideological construct of the periphery (versus an assumed centre), the quest for a national subject in art and the inconclusive debates on modernism and postmodernism constitute key issues in this enquiry, which takes as its case study the interplay of present (dominant) and absent (suppressed) meanings in readings of the male nude, with specific reference to the work of Greek artists Yannis Tsarouchis and Aspa Stassinopoulou. The article, the first study of the subject in a materialist-feminist context, uses the reception of the male nude by the 20th-century Greek art scene to raise more general issues concerning the reasons that often lead to the marginalisation of feminist politics in the art discourse of the self-identified 'margins' of modernism.
UR - http://www.scopus.com/inward/record.url?scp=61649112274&partnerID=8YFLogxK
U2 - 10.1080/0952882032000136876
DO - 10.1080/0952882032000136876
M3 - Article
AN - SCOPUS:61649112274
SN - 0952-8822
VL - 17
SP - 241
EP - 259
JO - Third Text
JF - Third Text
IS - 3
ER -