Power, identity and antiquarian approaches in modern Chinese art

Chia-Ling Yang

Power, identity and antiquarian approaches in modern Chinese art

Edinburgh College of Art

Research output: Contribution to journal › Article › peer-review

Original language	English
Article number	3
Pages (from-to)	1-33
Number of pages	34
Journal	Journal of Art Historiography
Volume	2014
Issue number	10
Publication status	Published - Jun 2014

Keywords / Materials (for Non-textual outputs)

antiquarian movement
modern Chinese art
Shanghai
guohua
jinshi
Huang Binhong
Luo Zhenyu
antiquarian society
Chinese painting and calligraphy

Access to Document

YangJAH2014PowerIdentityAntiquarianApproachesModernChineseArt.pdfFinal published version, 1.65 MBLicence: Creative Commons: Attribution Non-Commercial (CC-BY-NC)

https://arthistoriography.wordpress.com/10-jun-2014/Licence: Creative Commons: Attribution Non-Commercial (CC-BY-NC)

Chia-Ling Yang
- c.yanged.acuk
- Edinburgh College of Art - Personal Chair of Chinese Art
- History of Art
Person: Academic: Research Active

Cite this

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title = "Power, identity and antiquarian approaches in modern Chinese art",

keywords = "antiquarian movement, modern Chinese art, Shanghai, guohua, jinshi, Huang Binhong, Luo Zhenyu, antiquarian society, Chinese painting and calligraphy",

author = "Chia-Ling Yang",

year = "2014",

month = jun,

language = "English",

volume = "2014",

pages = "1--33",

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publisher = " University of Birmingham, Department of Art History",

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AU - Yang, Chia-Ling

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KW - antiquarian movement

KW - modern Chinese art

KW - Shanghai

KW - guohua

KW - jinshi

KW - Huang Binhong

KW - Luo Zhenyu

KW - antiquarian society

KW - Chinese painting and calligraphy

M3 - Article

SN - 2042-4752

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JO - Journal of Art Historiography

JF - Journal of Art Historiography

IS - 10

M1 - 3

ER -

Power, identity and antiquarian approaches in modern Chinese art

Keywords / Materials (for Non-textual outputs)

Access to Document

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Chia-Ling Yang

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