Projects per year
Abstract
The work derives from the notion of breath, breathlessness and restriction. Starting with the breathing sounds of the saxophonist - at first highly spare, subtle breath sounds that get pushed through the saxophone, exposing the resonances of the instrument and its materials - the saxophonist’s materials become the basis for the visual artist who uses these subtle sounds to inform and drive his response, tracing the gestures of the performer’s breath. Live processing of the breath sounds allows us to enhance, as well as to counter the performative materials through filtering, dispersal and accumulation.
The saxophonist, using circular breathing techniques, continues to employ her breath in order to work herself towards physical exhaustion, which in turn serves as a trigger for the visual and sonic manipulations of the other artists. Realtime signal processing extends and augments the ecosystem of saxophonist, saxophone and the concert hall. Additional contractions, dilations and expansions occur inside of physical models of pipes and valves, exploring notions of slippage and seepage which both bridge and feedback into the saxophonist’s gestures.
The saxophonist, using circular breathing techniques, continues to employ her breath in order to work herself towards physical exhaustion, which in turn serves as a trigger for the visual and sonic manipulations of the other artists. Realtime signal processing extends and augments the ecosystem of saxophonist, saxophone and the concert hall. Additional contractions, dilations and expansions occur inside of physical models of pipes and valves, exploring notions of slippage and seepage which both bridge and feedback into the saxophonist’s gestures.
Original language | English |
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Media of output | Online |
Publication status | Published - 14 Jan 2017 |
Event | Concurrent#2: New configurations for improvising - Reid Hall, Edinburgh, United Kingdom Duration: 13 Jan 2017 → 14 Jan 2017 http://www.concurrent.music.ed.ac.uk/ |
Keywords / Materials (for Non-textual outputs)
- Audiovision, Audiovisual, performance practice, live performance, graphic score, composition
Fingerprint
Dive into the research topics of 'Re-Breather'. Together they form a unique fingerprint.Projects
- 1 Finished
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Concurrent:exploring improvisation between performing arts practitioners
MacDonald, R. & Wilson, G.
1/01/15 → 31/07/17
Project: Research
Research output
- 1 Performance
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Re-Breather: Work for Saxophone, Realtime Signal Processing and Visuals
Rawlinson, J., Schroeder, F. & Etefaghi, D., 17 Apr 2018Research output: Non-textual form › Performance
Open AccessFile