Abstract
This article positions Guy Gilles (1938-1996), an overlooked filmmaker at the periphery of the French New Wave, as an important pioneer of queer cinema. Situating Gilles in the context of the French gay liberation movement and the militant gay cinema of the 1970s, it brings the director in dialogue with the French philosopher, writer and activist Guy Hocquenghem, whose advocacy of a polyvocal sexual desire resonates with Gilles’s interrogation of traditional sexual taxonomies. Gilles’s fluid vision of sexuality is analysed in two seminal films, Absences répétées/Repeated Absences (1972) and Le Crime d’amour/For Love (1981), which crystallise the director’s exploration of non-normative desires and queer aesthetic. Reclaiming Gilles’s place in the wider genealogy of French queer cinema, the article seeks to contribute to the long-overdue rediscovery of this highly original director, who remains largely unknown in Film and Visual Studies.
Original language | English |
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Pages (from-to) | 1-20 |
Number of pages | 20 |
Journal | French Screen Studies |
Early online date | 19 Jan 2024 |
DOIs | |
Publication status | E-pub ahead of print - 19 Jan 2024 |
Keywords / Materials (for Non-textual outputs)
- Guy Gilles
- Guy Hocquenghem
- queer cinema
- queer aesthetic
- French New Wave