[Review of] Schwarzer karneval: Heiner Müllers Poetik des Grotesken. By Mirjam Meuser. (Hermaea, new series, 149) Berlin and Boston, MA: de Gruyter. 2019.

Michael Wood

[Review of] Schwarzer karneval: Heiner Müllers Poetik des Grotesken. By Mirjam Meuser. (Hermaea, new series, 149) Berlin and Boston, MA: de Gruyter. 2019.

Michael Wood

School of Literatures, Languages and Cultures

Research output: Contribution to journal › Book/Film/Article review

Original language	English
Pages (from-to)	209-210
Number of pages	2
Journal	Modern Language Review
Volume	115
Issue number	1
Publication status	Published - 31 Jan 2020

2 Chapter
1 Book
1 Article

Text, Theater, Demokratie. Zur Utopie des Zuschauerraums bei Heiner Müller
Translated title of the contribution: Text, theatre, democracy. On the utopia of the auditorium in the works of Heiner MüllerWood, M., Oct 2017, ‘Ich Bin Meiner Zeit Voraus’: Utopie und Sinnlichkeit bei Heiner Müller . Berlin: Neofelis, p. 307-327
Research output: Chapter in Book/Report/Conference proceeding › Chapter

Open Access
File
Heiner Müller's Democratic Theater: The Politics of Making the Audience Work
Wood, M., 30 Jun 2017, Rochester, NY: Camden House. 240 p.
Research output: Book/Report › Book
‘Das Land, in dem das Proletariat [nur] genannt werden darf': The language of participation in Heiner Müller’s Der Lohndrücker
Wood, M., 1 Jan 2014, In: Modern Language Review. 109, 1, p. 160-77 18 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File

Cite this

@article{d12f46a005804c679d6d40492b83f94b,

title = "[Review of] Schwarzer karneval: Heiner M{\"u}llers Poetik des Grotesken. By Mirjam Meuser. (Hermaea, new series, 149) Berlin and Boston, MA: de Gruyter. 2019.",

author = "Michael Wood",

year = "2020",

month = jan,

day = "31",

language = "English",

volume = "115",

pages = "209--210",

journal = "Modern Language Review",

issn = "0026-7937",

publisher = "Modern Humanities Research Association",

number = "1",

}

[Review of] Schwarzer karneval: Heiner Müllers Poetik des Grotesken. By Mirjam Meuser. (Hermaea, new series, 149) Berlin and Boston, MA: de Gruyter. 2019.

Research output

Text, Theater, Demokratie. Zur Utopie des Zuschauerraums bei Heiner Müller

Heiner Müller's Democratic Theater: The Politics of Making the Audience Work

‘Das Land, in dem das Proletariat [nur] genannt werden darf': The language of participation in Heiner Müller’s Der Lohndrücker

Cite this