Seeing Byzantium through Edwin Freshfield’s eyes: Arts and Crafts, antiquarianism, and learned societies at the end of the nineteenth century

Flavia Vanni, Jessica Varsallona

Research output: Contribution to journalArticlepeer-review

Abstract / Description of output

This article focuses on three Byzantine capitals acquired by Edwin Freshfield and later donated to the church of the Wisdom of God in Lower Kingswood, which provide us with two ways to see through Byzantium. The first looks at their original Constantinopolitan context lost at the time of their acquisition. The second reflects on how Byzantine materials attracted wealthy Western European collectors, who combined antiquarian curiosity with the quest for the authentic Christian faith. Their privileged status allowed them both to possess these witnesses of the sacred past and even to project their own image to posterity as being analogous to that of Byzantine patrons.

Original languageEnglish
Pages (from-to)120-147
Number of pages28
JournalByzantine and Modern Greek Studies
Volume48
Issue number1
Early online date8 Mar 2024
DOIs
Publication statusPublished - Apr 2024

Keywords / Materials (for Non-textual outputs)

  • Constantinople
  • antiquarian collections
  • Byzantine sculpture
  • Byzantine archaeology
  • archival records

Fingerprint

Dive into the research topics of 'Seeing Byzantium through Edwin Freshfield’s eyes: Arts and Crafts, antiquarianism, and learned societies at the end of the nineteenth century'. Together they form a unique fingerprint.

Cite this