Siberian Graphite: Part 1

Ewan Robertson

Siberian Graphite: Part 1

Edinburgh College of Art

Research output: Non-textual form › Digital or Visual Products

Abstract

Part 1 of 3. A reflective, poetic and questioning short film on the nature and fabric of the physical world, memory, visual experience and experiential data.
Shot and completed in 2012
Duration 8'50"
Shot on DSLR
Silent

There are peripheral territories to our awareness where meaning can dissolve and everyday sensory data can be inverted. Siberian Graphite is a non-linear path through ever-present and often hidden realms of experience.

Consciousness, memory and understanding of the world overlap through a kind of direct sensory absorption of the world. Seen through a more poetic prism and an alternate experience of 'real' time, they are allowed freedom to diverge, grow and take on new yet strangely familiar forms.

Siberian Graphite can be seen as an exploration of the experiential; a visual condensate of place, time and experience.

Original language	English
Place of Publication	world wide web
Publisher	The Agent RiA:Registeredinart
Publication status	Published - 14 Aug 2012

Keywords / Materials (for Non-textual outputs)

Spatial
Vision
Memory
Experience
Phisicality

Access to Document

http://www.youtube.com/user/registeredinart

1 Exhibition

Midnight Macedonia: as part of Lyndsay Mann's digital short film programme of Agent RIA channel artists, Careof DOCVA, Milan, Italy
Robertson, E., 14 Feb 2013
Research output: Non-textual form › Exhibition

Cite this

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title = "Siberian Graphite: Part 1",

abstract = "Part 1 of 3. A reflective, poetic and questioning short film on the nature and fabric of the physical world, memory, visual experience and experiential data.Shot and completed in 2012 Duration 8'50{"}Shot on DSLRSilent There are peripheral territories to our awareness where meaning can dissolve and everyday sensory data can be inverted. Siberian Graphite is a non-linear path through ever-present and often hidden realms of experience.Consciousness, memory and understanding of the world overlap through a kind of direct sensory absorption of the world. Seen through a more poetic prism and an alternate experience of 'real' time, they are allowed freedom to diverge, grow and take on new yet strangely familiar forms.Siberian Graphite can be seen as an exploration of the experiential; a visual condensate of place, time and experience. ",

keywords = "Spatial, Vision, Memory, Experience, Phisicality",

author = "Ewan Robertson",

note = "This film is part one of three, part two is due to start filming in October 2012. Commissioned by Lyndsay Mann of The Agent RiA for an programme of international short (silent) films by artists curated in response to Margaret Tait's film 'Rose Street'. The program was due to be screened at Edinburgh Arts Festival 2012 but was cancelled due to technical difficulties experienced by EAF. The film has subsequently been published online and the original international short film programme may be screened internationally at a later date.",

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day = "14",

language = "English",

publisher = "The Agent RiA:Registeredinart",

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AU - Robertson, Ewan

N1 - This film is part one of three, part two is due to start filming in October 2012. Commissioned by Lyndsay Mann of The Agent RiA for an programme of international short (silent) films by artists curated in response to Margaret Tait's film 'Rose Street'. The program was due to be screened at Edinburgh Arts Festival 2012 but was cancelled due to technical difficulties experienced by EAF. The film has subsequently been published online and the original international short film programme may be screened internationally at a later date.

PY - 2012/8/14

Y1 - 2012/8/14

N2 - Part 1 of 3. A reflective, poetic and questioning short film on the nature and fabric of the physical world, memory, visual experience and experiential data.Shot and completed in 2012 Duration 8'50"Shot on DSLRSilent There are peripheral territories to our awareness where meaning can dissolve and everyday sensory data can be inverted. Siberian Graphite is a non-linear path through ever-present and often hidden realms of experience.Consciousness, memory and understanding of the world overlap through a kind of direct sensory absorption of the world. Seen through a more poetic prism and an alternate experience of 'real' time, they are allowed freedom to diverge, grow and take on new yet strangely familiar forms.Siberian Graphite can be seen as an exploration of the experiential; a visual condensate of place, time and experience.

AB - Part 1 of 3. A reflective, poetic and questioning short film on the nature and fabric of the physical world, memory, visual experience and experiential data.Shot and completed in 2012 Duration 8'50"Shot on DSLRSilent There are peripheral territories to our awareness where meaning can dissolve and everyday sensory data can be inverted. Siberian Graphite is a non-linear path through ever-present and often hidden realms of experience.Consciousness, memory and understanding of the world overlap through a kind of direct sensory absorption of the world. Seen through a more poetic prism and an alternate experience of 'real' time, they are allowed freedom to diverge, grow and take on new yet strangely familiar forms.Siberian Graphite can be seen as an exploration of the experiential; a visual condensate of place, time and experience.

KW - Spatial

KW - Vision

KW - Memory

KW - Experience

KW - Phisicality

M3 - Digital or Visual Products

PB - The Agent RiA:Registeredinart

CY - world wide web

ER -

Siberian Graphite: Part 1

Abstract

Keywords / Materials (for Non-textual outputs)

Access to Document

Fingerprint

Research output

Midnight Macedonia: as part of Lyndsay Mann's digital short film programme of Agent RIA channel artists, Careof DOCVA, Milan, Italy

Cite this