Abstract
This chapter begins with the observation that inscribed texts were memorized and orally transmitted. This insight provides the key for a reading of Callimachus’ ‘Tomb of Simonides’—itself a reading of Simonides’ own response to the poetics of inscribed epigram (and of his role as the inventor of memory techniques). The chapter argues that Callimachus presents Simonides’ tomb not as an epitaph, but as a ‘meta-epitaph’—an elegy which is not itself inscribed, but describes the loss of an inscribed tombstone: liberated from the tomb that once covered his body, the voice of Simonides now speaks through Callimachus’ verse.
Original language | English |
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Title of host publication | Tombs of the Ancient Poets |
Subtitle of host publication | Between Literary Reception and Material Culture |
Editors | N. Goldschmidt, B. Graziosi |
Place of Publication | Oxford |
Publisher | Oxford University Press |
ISBN (Print) | 9780198826477 |
Publication status | Published - 2018 |
Event | Tombs of the Ancient Poets: Between Text and Material Culture - Durham University, Durham, United Kingdom Duration: 12 Sept 2014 → 14 Sept 2014 |
Conference
Conference | Tombs of the Ancient Poets: Between Text and Material Culture |
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Country/Territory | United Kingdom |
City | Durham |
Period | 12/09/14 → 14/09/14 |
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Dive into the research topics of 'Simonides on tombs, and the 'tomb of Simonides''. Together they form a unique fingerprint.Profiles
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Richard Rawles
- School of History, Classics and Archaeology - Senior Lecturer
- Classics
Person: Academic: Research Active