Stolen Voices Scotland

Rebecca Collins; Johanna Linsley

Stolen Voices Scotland

Rebecca Collins, Johanna Linsley

Edinburgh College of Art

Research output: Non-textual form › Performance

Abstract / Description of output

This live performance piece builds on material developed through Stolen Voices expanding the research methodology to generate performance texts that resonate with audiences beyond the immediate site within which the work has been developed. The piece combines an experimental writing practice with vocal synchronisation and socio-political research. The work was featured at soNADA festival, supported by the University of Aberdeen and performed at The Belmont Cinema.

Original language	English
Publication status	Published - 23 Feb 2018

Keywords / Materials (for Non-textual outputs)

Sound Art
Listening
Performance
Scotland
Site Specific
Art Writing

Cite this

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abstract = "This live performance piece builds on material developed through Stolen Voices expanding the research methodology to generate performance texts that resonate with audiences beyond the immediate site within which the work has been developed. The piece combines an experimental writing practice with vocal synchronisation and socio-political research. The work was featured at soNADA festival, supported by the University of Aberdeen and performed at The Belmont Cinema. ",

keywords = "Sound Art, Listening, Performance, Scotland, Site Specific, Art Writing",

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AU - Collins, Rebecca

AU - Linsley, Johanna

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Y1 - 2018/2/23

N2 - This live performance piece builds on material developed through Stolen Voices expanding the research methodology to generate performance texts that resonate with audiences beyond the immediate site within which the work has been developed. The piece combines an experimental writing practice with vocal synchronisation and socio-political research. The work was featured at soNADA festival, supported by the University of Aberdeen and performed at The Belmont Cinema.

AB - This live performance piece builds on material developed through Stolen Voices expanding the research methodology to generate performance texts that resonate with audiences beyond the immediate site within which the work has been developed. The piece combines an experimental writing practice with vocal synchronisation and socio-political research. The work was featured at soNADA festival, supported by the University of Aberdeen and performed at The Belmont Cinema.

KW - Sound Art

KW - Listening

KW - Performance

KW - Scotland

KW - Site Specific

KW - Art Writing

UR - http://sonada.org/sonADA2018/2018/02/10/rebecca-collins-johanna-linsley/

M3 - Performance

ER -

Stolen Voices Scotland

Abstract / Description of output

Keywords / Materials (for Non-textual outputs)

Other files and links

Fingerprint

Stolen Voices

Stolen Voices North East

Stolen Voices Felixstowe

Stolen Voices Aberdeen

Cite this

Stolen Voices Scotland

Abstract / Description of output

Keywords / Materials (for Non-textual outputs)

Other files and links

Fingerprint

Projects

Stolen Voices

Research output

Stolen Voices North East

Stolen Voices Felixstowe

Stolen Voices Aberdeen

Cite this