Stolen Voices Scotland

Rebecca Collins, Johanna Linsley

Research output: Non-textual formPerformance

Abstract

This live performance piece builds on material developed through Stolen Voices expanding the research methodology to generate performance texts that resonate with audiences beyond the immediate site within which the work has been developed. The piece combines an experimental writing practice with vocal synchronisation and socio-political research. The work was featured at soNADA festival, supported by the University of Aberdeen and performed at The Belmont Cinema.
Original languageEnglish
Publication statusPublished - 23 Feb 2018

Keywords

  • Sound Art
  • Listening
  • Performance
  • Scotland
  • Site Specific
  • Art Writing

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