Projects per year
Opportunities and necessities for performance practice to contribute to a realisation are apparent even in what appears to be, in the case of Studie II, a set of dry technical instructions. With the development of more complicated and demanding sound production techniques, performance practice contributed more and more to the sound of electronic music, and as such needs to be considered as an essential rather than an accidental part of the creative process.
|Publication status||Published - 17 Jul 2014|
|Event||Centre for Musical Performance as Creative Practice 3 - Cambridge University, Cambridge, United Kingdom|
Duration: 17 Jul 2014 → 20 Jul 2014
|Conference||Centre for Musical Performance as Creative Practice 3|
|Period||17/07/14 → 20/07/14|
- performance practice
- electronic music
FingerprintDive into the research topics of 'Strict serialism or structured improvisation? The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne'. Together they form a unique fingerprint.
- 1 Finished
Sean Williams (Speaker)11 Jul 2015 → 19 Jul 2015
Activity: Academic talk or presentation types › Invited talk
Sean Williams (Speaker)17 Jul 2014
Activity: Participating in or organising an event types › Participation in conferenceFile