Abstract
This major Retrospective exhibition was hosted by the Scottish Gallery, Edinburgh. (Sept 7th -October 2nd) Work was selected from the past 20 years and covered a broad range of techniques and styles of work.
The gallery produced a catalogue to accompany the exhibition with commissioned essay written by Prof. Elizabeth Moignard, University of Glasgow. Studio photography was also commissioned of drawings and supporting design material that underpins studio practise.
New work for this exhibition experimented with vitreous enamel, Sgrafitto technique and how to set enamel onto silver. New drawing research focused on exploring new method's of Chinese ink painting on bamboo paper. This medium and technique of pattern making and mark making relates to the methods I am exploring in my work with vitreous enamel initially questioned in Drawing, Permanence and Place 2010/12.
The gallery produced a catalogue to accompany the exhibition with commissioned essay written by Prof. Elizabeth Moignard, University of Glasgow. Studio photography was also commissioned of drawings and supporting design material that underpins studio practise.
New work for this exhibition experimented with vitreous enamel, Sgrafitto technique and how to set enamel onto silver. New drawing research focused on exploring new method's of Chinese ink painting on bamboo paper. This medium and technique of pattern making and mark making relates to the methods I am exploring in my work with vitreous enamel initially questioned in Drawing, Permanence and Place 2010/12.
Original language | English |
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Place of Publication | Edinburgh |
Publication status | Published - 7 Sept 2013 |