Abstract / Description of output
Since 2008, the inaugural year of an ongoing ‘crisis’, globalization has strongly emerged as an economic, rather than cultural, reality in the making – principally through a conflict between capital and labour. As feminism tackles the gendered division of labour, what kind of context does ‘the 2008 effect’ illuminate for the struggle to end gender and sex-based oppression, and how are feminist narratives of art contributing to this struggle? With the aim of encouraging a feminist dialogue on this urgent question, three lines of feminist opposition are identified that can be practised in the art world: a) resistance to the historicization of feminism, as feminist knowledge is indispensible for subverting globalization as crisis; b) a commitment to a biopolitical paradigm implying a shift of emphasis from the partiality of the ‘body’ to the more rounded concept of ‘life’; c) an exploration of the potential offered by feminist collectivism and a practice of seeking alliances rather than advocating insular, and separatist, feminist platforms.
Original language | English |
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Pages (from-to) | 579-588 |
Journal | Third Text |
Volume | 27 |
Issue number | 4 |
DOIs | |
Publication status | Published - 2013 |
Keywords / Materials (for Non-textual outputs)
- feminism
- globalisation
- art