The conscience whipper: Alamgir Kabir's film criticism and the political velocity of the cinema in 1960s East Pakistan

Lotte Hoek

The conscience whipper: Alamgir Kabir's film criticism and the political velocity of the cinema in 1960s East Pakistan

School of Social and Political Science

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Original language	English
Title of host publication	Forms of the Left in Postcolonial South Asia
Subtitle of host publication	Aesthetics, Networks and Connected Histories
Editors	Sanjukta Sunderason, Lotte Hoek
Publisher	Bloomsbury
Chapter	6
Pages	185-212
Number of pages	27
Edition	1st
ISBN (Electronic)	9781350179189, 9781350179196
ISBN (Print)	9781350179172, 9781350230088
Publication status	Published - 13 Jan 2022

Publication series

Name	Critical Perspectives in South Asian History
Publisher	Bloomsbury Academic

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HoekBA2022TheConscienceWhipper
This is the final published version of a book chapter published by Bloomsbury Academic in Forms of the Left in Postcolonial South Asia: Aesthetics, Networks and Connected Histories on 13 January 2022, available online: https://www.bloomsbury.com/uk/forms-of-the-left-in-postcolonial-south-asia-9781350179172/.
Final published version, 749 KB

Cite this

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The conscience whipper: Alamgir Kabir's film criticism and the political velocity of the cinema in 1960s East Pakistan. / Hoek, Lotte.
Forms of the Left in Postcolonial South Asia: Aesthetics, Networks and Connected Histories. ed. / Sanjukta Sunderason; Lotte Hoek. 1st. ed. Bloomsbury , 2022. p. 185-212 (Critical Perspectives in South Asian History).

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

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M3 - Chapter (peer-reviewed)

SN - 9781350179172

SN - 9781350230088

T3 - Critical Perspectives in South Asian History

SP - 185

EP - 212

BT - Forms of the Left in Postcolonial South Asia

A2 - Sunderason, Sanjukta

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The conscience whipper: Alamgir Kabir's film criticism and the political velocity of the cinema in 1960s East Pakistan

Publication series

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Research output

Forms of the Left in Postcolonial South Asia: Aesthetics, Networks and Connected Histories

Cite this