Skip to main navigation Skip to search Skip to main content

The Hirabayashi Hatsunosuke Reader: Mass Culture and Intermediality in Imperial Japan

Seth Jacobowitz, Aaron William Moore

Research output: Book/ReportScholarly edition

Abstract

This edited volume brings a wide array of writings by Hirabayashi Hatsunosuke, one of 20th-century Japan's most important intellectuals, into the English language for the first time. Part One contains translations of Hirabayashi's fiction that embody the diversity of his work, including science fiction ('The Artificial Human'), detective fiction ('The Apartment Murder'), and more idiosyncratic works such as 'Demon at the Pulpit', an antitheist and anticlerical story. In Part Two, The Hirabayashi Hatsunosuke Reader also provides a range of invaluable auxiliary critical essays which are written by expert scholars based in the USA, the UK, Australia, Italy and Japan. These essays examine Hirabayashi's views on numerous topics, including the emerging women's movement, popular politics, Marxist theory, filmic and literary trends, and the relationship between mass production and modern aesthetics.

Sometimes referred to as 'Japan's Walter Benjamin', Hirabayashi is widely known in Japanology, but has remained inaccessible to the English-speaking world until now. This book reveals how his varied literary texts and essays capture the rapid transformation of Japanese society and culture before World War Two in a way that makes them an integral part of the history of global modernity.
Original languageEnglish
PublisherBloomsbury Academic
Edition1st
ISBN (Electronic)9781350378162, 9781350378179, 9781350378186
ISBN (Print)9781350378155
DOIs
Publication statusPublished - 18 Sept 2025

Publication series

NameSOAS Studies in Modern and Contemporary Japan

Keywords / Materials (for Non-textual outputs)

  • Japan
  • Marxism
  • intermediality
  • literature
  • Feminism
  • social science

Fingerprint

Dive into the research topics of 'The Hirabayashi Hatsunosuke Reader: Mass Culture and Intermediality in Imperial Japan'. Together they form a unique fingerprint.

Cite this