“the houl intir batel feel were hell”: “Suffering”, “Sunset” and Aesthetic Experimentation in Horace Pippin’s World War I Manuscripts and Paintings

Celeste-Marie Bernier

“the houl intir batel feel were hell”: “Suffering”, “Sunset” and Aesthetic Experimentation in Horace Pippin’s World War I Manuscripts and Paintings

Celeste-Marie Bernier

School of Literatures, Languages and Cultures

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Original language	English
Title of host publication	Afromodernisms
Subtitle of host publication	Paris, Harlem and the Avant-garde
Editors	Fionnghuala Sweeney, Kate Marsh
Place of Publication	Edinburgh
Publisher	Edinburgh University Press
Pages	169-191
Number of pages	22
ISBN (Print)	9780748646401
Publication status	Published - 2013

Cite this

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“the houl intir batel feel were hell”: “Suffering”, “Sunset” and Aesthetic Experimentation in Horace Pippin’s World War I Manuscripts and Paintings. / Bernier, Celeste-Marie.
Afromodernisms: Paris, Harlem and the Avant-garde. ed. / Fionnghuala Sweeney; Kate Marsh. Edinburgh: Edinburgh University Press, 2013. p. 169-191.

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

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M3 - Chapter (peer-reviewed)

SN - 9780748646401

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EP - 191

BT - Afromodernisms

A2 - Sweeney, Fionnghuala

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PB - Edinburgh University Press

CY - Edinburgh

ER -

“the houl intir batel feel were hell”: “Suffering”, “Sunset” and Aesthetic Experimentation in Horace Pippin’s World War I Manuscripts and Paintings

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