Abstract
Introduction Summary (for Non-Specialist)
How Imitation Became a Driver of Innovation in China
How did China evolve from a technological follower to a global innovator? Over the past four decades, China’s rapid transformation has often been explained in Western commentary as a result of copying, even theft. But this book tells a different story, one that rethinks imitation not as a shortcut or a symptom of backwardness, but as a creative force that has shaped China’s technological rise.
The journey began with a deceptively simple question: what role does imitation play in innovation? Drawing on forty years of qualitative research in China, I explore how imitation fuels creativity, enables participation, and reshapes governance in digital infrastructures.
Rather than treating imitation as a stage to outgrow, I argue that it is a foundational condition of modern innovation in the context of globalisation. From the early creation of digital telecommunication infrastructure to the explosion of shanzhai (copycat) phones, from the challenges of intellectual property to the development of pandemic health QR codes, imitation has served as a generative process. It is how technologies travel, adapt, and acquire meaning across diverse settings.
The book draws on the nineteenth-century French sociologist Gabriel Tarde, who saw imitation as the fundamental logic of social life. Tarde understood society not as a structure but as a web of interactions among heterogeneous actors. His notion of monads—autonomous yet relational entities—offers a powerful lens for grasping how coordination emerges without central command. In the digital age, where every action leaves a trace, this book explores how a monadological view can help us rethink governance: not merely as command and control, but as experimentation, connection, and adaptation, or as the ethical orchestration of imitative practices.
The book also reflects my personal journey. Raised in China and trained in the United Kingdom, I have spent decades studying the complex interplay between technology, society, and the state in both contexts. This project grew out of a desire to understand not only China’s innovation model, but also the deep cultural assumptions that shape how the West and China view governance, ethics, and knowledge.
One of the core arguments is that China and the West operate within two moral universes—distinct frameworks for understanding knowledge, property, privacy, freedom, and the collective good. In the Chinese tradition, shaped by Confucian values, concepts such as freedom, privacy, and responsibility are deeply relational and context-sensitive rather than universal. These values have enabled distinct forms of digital governance, centred on knowledge sharing, co-production of innovation, and civic cultivation, 人民素质的提高 (the improvement of civic and moral quality), anchored in visible feedback rather than abstract rules.
China now faces a choice that will shape the twenty-first century. One path continues to imitate Western models: strengthening intellectual-property protection, competing through technological nationalism, and potentially following Western patterns of military projection.
The other path builds alternative infrastructures based on knowledge sharing, traceability, and civic cultivation. Rather than protecting innovation through legal ownership, digital systems could make contributions visible and rewardable while remaining accessible for further adaptation. This marks a shift from competitive protection to collaborative co-production.
Which path China takes matters globally. It will determine whether we see intensified competition over proprietary knowledge, or new models of innovation based on collective advancement. After all, the future of technology governance, whether rooted in competition or cooperation, exclusion or inclusion, individual freedom or collective capacity, will be shaped by how these two moral universes engage with each other. That future is not predetermined. It depends on choices being made now by policymakers, companies, and citizens in both worlds.
How Imitation Became a Driver of Innovation in China
How did China evolve from a technological follower to a global innovator? Over the past four decades, China’s rapid transformation has often been explained in Western commentary as a result of copying, even theft. But this book tells a different story, one that rethinks imitation not as a shortcut or a symptom of backwardness, but as a creative force that has shaped China’s technological rise.
The journey began with a deceptively simple question: what role does imitation play in innovation? Drawing on forty years of qualitative research in China, I explore how imitation fuels creativity, enables participation, and reshapes governance in digital infrastructures.
Rather than treating imitation as a stage to outgrow, I argue that it is a foundational condition of modern innovation in the context of globalisation. From the early creation of digital telecommunication infrastructure to the explosion of shanzhai (copycat) phones, from the challenges of intellectual property to the development of pandemic health QR codes, imitation has served as a generative process. It is how technologies travel, adapt, and acquire meaning across diverse settings.
The book draws on the nineteenth-century French sociologist Gabriel Tarde, who saw imitation as the fundamental logic of social life. Tarde understood society not as a structure but as a web of interactions among heterogeneous actors. His notion of monads—autonomous yet relational entities—offers a powerful lens for grasping how coordination emerges without central command. In the digital age, where every action leaves a trace, this book explores how a monadological view can help us rethink governance: not merely as command and control, but as experimentation, connection, and adaptation, or as the ethical orchestration of imitative practices.
The book also reflects my personal journey. Raised in China and trained in the United Kingdom, I have spent decades studying the complex interplay between technology, society, and the state in both contexts. This project grew out of a desire to understand not only China’s innovation model, but also the deep cultural assumptions that shape how the West and China view governance, ethics, and knowledge.
One of the core arguments is that China and the West operate within two moral universes—distinct frameworks for understanding knowledge, property, privacy, freedom, and the collective good. In the Chinese tradition, shaped by Confucian values, concepts such as freedom, privacy, and responsibility are deeply relational and context-sensitive rather than universal. These values have enabled distinct forms of digital governance, centred on knowledge sharing, co-production of innovation, and civic cultivation, 人民素质的提高 (the improvement of civic and moral quality), anchored in visible feedback rather than abstract rules.
China now faces a choice that will shape the twenty-first century. One path continues to imitate Western models: strengthening intellectual-property protection, competing through technological nationalism, and potentially following Western patterns of military projection.
The other path builds alternative infrastructures based on knowledge sharing, traceability, and civic cultivation. Rather than protecting innovation through legal ownership, digital systems could make contributions visible and rewardable while remaining accessible for further adaptation. This marks a shift from competitive protection to collaborative co-production.
Which path China takes matters globally. It will determine whether we see intensified competition over proprietary knowledge, or new models of innovation based on collective advancement. After all, the future of technology governance, whether rooted in competition or cooperation, exclusion or inclusion, individual freedom or collective capacity, will be shaped by how these two moral universes engage with each other. That future is not predetermined. It depends on choices being made now by policymakers, companies, and citizens in both worlds.
| Original language | English |
|---|---|
| Publisher | De Gruyter |
| Publication status | Accepted/In press - Oct 2025 |
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