Abstract / Description of output
Davison and Reyland’s chapter offers a critical analysis of Cristobal Tapia de Veer’s music for the Channel 4 serial Utopia, written and directed by Marc Munden. Utopia explores the frightening problem of our planet’s overpopulation. Rather than encouraging straightforward identification and empathy with the unlikely group of heroes seeking to uncover the conspiracy at the show’s heart—plans to sterilize most of the human race—Utopia’s music and narrative entwine unconventionally. Groovy rhythms and unique timbres draw attention to themselves, cues encourage empathy and anempathy by turns, and audio-viewer assumptions about right and wrong, hero and villain, are manipulated, challenged and inverted. Davison and Reyland theorize the term anempathetic empathy to encapsulate the unique qualities of this important example of recent, high-end TV scoring.
Original language | English |
---|---|
Title of host publication | The Palgrave Handbook of Sound Design and Music in Screen Media |
Subtitle of host publication | Integrated Soundtracks |
Editors | Liz Greene, Danijela Kulezic-Wilson |
Place of Publication | London |
Publisher | Palgrave Macmillan |
Chapter | 21 |
Pages | 305-319 |
Number of pages | 15 |
ISBN (Electronic) | 9781137516800 |
ISBN (Print) | 9781137516794 |
DOIs | |
Publication status | Published - Dec 2016 |
Fingerprint
Dive into the research topics of 'The Janus Project: Cristobal Tapia de Veer's Utopia, anempathetic empathy and the radicalization of convention'. Together they form a unique fingerprint.Profiles
-
Annette Davison
- Edinburgh College of Art - Personal Chair of Music and Audio-Visual Media
- Music
Person: Academic: Research Active