The Janus Project: Cristobal Tapia de Veer's Utopia, anempathetic empathy and the radicalization of convention

Annette Davison, Nicholas Reyland

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

Abstract / Description of output

Davison and Reyland’s chapter offers a critical analysis of Cristobal Tapia de Veer’s music for the Channel 4 serial Utopia, written and directed by Marc Munden. Utopia explores the frightening problem of our planet’s overpopulation. Rather than encouraging straightforward identification and empathy with the unlikely group of heroes seeking to uncover the conspiracy at the show’s heart—plans to sterilize most of the human race—Utopia’s music and narrative entwine unconventionally. Groovy rhythms and unique timbres draw attention to themselves, cues encourage empathy and anempathy by turns, and audio-viewer assumptions about right and wrong, hero and villain, are manipulated, challenged and inverted. Davison and Reyland theorize the term anempathetic empathy to encapsulate the unique qualities of this important example of recent, high-end TV scoring.
Original languageEnglish
Title of host publicationThe Palgrave Handbook of Sound Design and Music in Screen Media
Subtitle of host publicationIntegrated Soundtracks
EditorsLiz Greene, Danijela Kulezic-Wilson
Place of PublicationLondon
PublisherPalgrave Macmillan
Chapter21
Pages305-319
Number of pages15
ISBN (Electronic)9781137516800
ISBN (Print)9781137516794
DOIs
Publication statusPublished - Dec 2016

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