"The Muslim Woman" as Celebrity Author and the Politics of Translating Arabic: Girls of Riyadh Go on the Road

Marilyn Booth

Research output: Contribution to journalArticlepeer-review

Abstract

This essay considers the recent production of texts in English that construct and rely on repeated and homogenized images of Muslim women, focusing on a translated text but arguing for its contextualization within the market of popular memoir. Taking the translation of Rajaa Alsanea's Banat al-Riyadh into English as a case study, I argue that revisions made by press and author to my translation assimilated it to chick-lit generic conventions in the anglophone marketplace, muting the gender politics and situatedness of multiple kinds of Arabic that acted, in the original novel, as a critique of the Saudi system. Paratextual framing of the marketed book and translational choices emphasized the fiction as a writing of "experience," bringing it closer to the memoir genre and linking it to a tradition of what I call Orientalist ethnographicism. These effects produce a work and author-figure both exotic and familiar.
Original languageEnglish
Pages (from-to)149-182
Number of pages34
JournalJournal of Middle East Women's Studies
Volume6
Issue number3
DOIs
Publication statusPublished - 2010

Fingerprint

Dive into the research topics of '"The Muslim Woman" as Celebrity Author and the Politics of Translating Arabic: Girls of Riyadh Go on the Road'. Together they form a unique fingerprint.

Cite this