Abstract
It is well known that many varieties of Gaelic show an opposition between two classes of words that is implemented by suprasegmental means such as pitch and glottalization. These phenomena have been compared to the ‘tonal accents’ of the North and West Germanic languages (notably by Ternes 1980, 2006), and a number of analyses have been proposed in the theoretical linguistics literature. In this paper, I summarize the patterns found across traditional varieties of Scottish Gaelic, and focus on the (limited number of) synchronic alternations that involve accent-related phenomena. In particular, I address the interaction between tonal accents and vowel-zero alternations. I argue that it further supports the analyses of Gaelic tonal accents as reflecting differences in syllabification or more generally metrical structure, as envisaged by Oftedal (1956); Clements (1986); Smith (1999); Iosad (2015) and most recently in the comprehensive analysis by Morrison (2019). I also discuss what kind of new data is necessary to make further progress in our understanding of the accentual phonology of Gaelic.
Original language | English |
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Title of host publication | Cànan & Cultar / Language & Culture |
Subtitle of host publication | Rannsachadh na Gàidhlig 10 |
Editors | Wilson McLeod, Anja Gunderloch, Rob Dunbar |
Place of Publication | Aberdeen |
Publisher | Aberdeen University Press |
Pages | 185-204 |
Publication status | Published - 20 Jul 2021 |