Projects per year
Abstract / Description of output
Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective.
This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks— permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
This volume was published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center October 30, 2018, to January 27, 2019, and at the Royal Academy of Arts London in the United Kingdom February 26 to June 2, 2019.
This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks— permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
This volume was published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center October 30, 2018, to January 27, 2019, and at the Royal Academy of Arts London in the United Kingdom February 26 to June 2, 2019.
Original language | English |
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Place of Publication | Los Angeles |
Publisher | The Getty Research Institute |
Number of pages | 432 |
ISBN (Print) | 9781606065846 |
Publication status | Published - 20 Sept 2018 |
Keywords / Materials (for Non-textual outputs)
- nude
- art
- exhibition
- renaissance
- body
Fingerprint
Dive into the research topics of 'The Renaissance Nude'. Together they form a unique fingerprint.Projects
- 1 Finished
Research output
- 1 Chapter
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The Body in Artistic Theory and Practice
Burke, J., 2018, The Renaissance Nude. Kren, T., Burke, J. & Campbell, S. J. (eds.). Los Angeles: The Getty Research Institute, p. 183-245Research output: Chapter in Book/Report/Conference proceeding › Chapter
Activities
- 1 Participation in conference
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The Global Nude in the Pre-Modern World, 1400-1700
Jill Burke (Organiser), Thomas Kren (Organiser) & Stephen J. Campbell (Organiser)
16 Jan 2019Activity: Participating in or organising an event types › Participation in conference
Profiles
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Jill Burke
- School of History, Classics and Archaeology - Personal Chair of Renaissance Visual and Material Cultures
- History
Person: Academic: Research Active