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Abstract
5th Global Conference Fashion: Exploring Critical Ideas, Mansfield College, Oxford University, UK, Sept 9-12, 2013.
The manner in which the human body is presented and depicted through the medium of fashion is critical to our own perception of healthy beauty and body ideals. The viewing of clothed bodies through this narrow microscope of design and media is widely accepted to generate unhealthy, negative and unrealistic ways that we judge and evaluate our self-image.
As a fashion educator, campaigner, researcher and practitioner I am concerned by the lack of diversity on the catwalks and in fashion media, and in particular, model sizing which has transitioned towards the dangerously, yet widely normalized size zero body type. As such, attribution must be apportioned to fashion designers for endorsing unhealthy clothed bodies as the prototypical beauty standards of our age.
Conversely, I am fascinated by the use of transparency in clothing and materials within my own research and creative practice. I seek to utilise transparency as a method of communicating the magic of fashion: the inner workings, exposed mystique, and semiotics of style. I am, however, aware of the provocative messages that veiled nakedness may signify to the viewer. Are designers like myself knowingly objectifying, exploiting, endorsing unhealthy body types or in fact celebrating the beauty of the human form through the use of transparency?
This paper will seek to demonstrate how transparency within fashion design provides a dichotomous argument about body image, where female beauty is artfully celebrated and simultaneously open to vicarious negative scrutiny. I will discuss the history of transparency in fashion; analysing the rise and acceptance of transparency through an engaging historical and contemporary analysis.
The paper will also explore the juxtaposed empowerment and sexualisation of celebrity bodies through transparent clothing, debating notions of subversive control and femininity. I will conclude with an analysis of future thinking on the theme of transparency, relating to textile innovations that create ‘second skin’ experiences for both the wearer and viewer.
Keywords: Transparency, body image, diversity, fashion, clothing, design, fabric.
The manner in which the human body is presented and depicted through the medium of fashion is critical to our own perception of healthy beauty and body ideals. The viewing of clothed bodies through this narrow microscope of design and media is widely accepted to generate unhealthy, negative and unrealistic ways that we judge and evaluate our self-image.
As a fashion educator, campaigner, researcher and practitioner I am concerned by the lack of diversity on the catwalks and in fashion media, and in particular, model sizing which has transitioned towards the dangerously, yet widely normalized size zero body type. As such, attribution must be apportioned to fashion designers for endorsing unhealthy clothed bodies as the prototypical beauty standards of our age.
Conversely, I am fascinated by the use of transparency in clothing and materials within my own research and creative practice. I seek to utilise transparency as a method of communicating the magic of fashion: the inner workings, exposed mystique, and semiotics of style. I am, however, aware of the provocative messages that veiled nakedness may signify to the viewer. Are designers like myself knowingly objectifying, exploiting, endorsing unhealthy body types or in fact celebrating the beauty of the human form through the use of transparency?
This paper will seek to demonstrate how transparency within fashion design provides a dichotomous argument about body image, where female beauty is artfully celebrated and simultaneously open to vicarious negative scrutiny. I will discuss the history of transparency in fashion; analysing the rise and acceptance of transparency through an engaging historical and contemporary analysis.
The paper will also explore the juxtaposed empowerment and sexualisation of celebrity bodies through transparent clothing, debating notions of subversive control and femininity. I will conclude with an analysis of future thinking on the theme of transparency, relating to textile innovations that create ‘second skin’ experiences for both the wearer and viewer.
Keywords: Transparency, body image, diversity, fashion, clothing, design, fabric.
| Original language | English |
|---|---|
| Publication status | Published - 1 Nov 2013 |
| Event | 5th Global Conference Fashion: Exploring Critical Ideas - Mansfield College, Oxford University, Oxford University, United Kingdom Duration: 9 Sept 2013 → 12 Sept 2013 |
Conference
| Conference | 5th Global Conference Fashion: Exploring Critical Ideas |
|---|---|
| Country/Territory | United Kingdom |
| City | Oxford University |
| Period | 9/09/13 → 12/09/13 |
Fingerprint
Dive into the research topics of 'Transparent Objectification in Fashion Design'. Together they form a unique fingerprint.Research output
- 1 Design
-
Silhouettes en Dentelle
Burkinshaw, M. & Burke, J., 14 Nov 2014Research output: Non-textual form › Design
Open Access
Activities
- 1 Other
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The Edinburgh College of Art Centre of Diversity Network in partnership with All Walks Beyond the Catwalk
Mal Burkinshaw (Host)
7 Jun 2011 → …Activity: Other activity types › Other