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Abstract
Sociolinguistic research has increasingly explored the ways in which semiotic features are variably recruited to stylistically perform enregistered social personae. In this paper, I add to this body of work by exploring the emergence of a stereotypically feminine style and persona that is widespread in British social media. Specifically, I examine the prevalence of non-standard spellings (e.g., <dallyn> darling, <gawjus> gorgeous), discourse features (e.g., hun, babe, u ok hun?), and characterological tropes (e.g., the life motto ‘live, love, laugh’) as indexical representations of a particular type of classed, gendered, and ethnic identity in a corpus of Instagram memes. I demonstrate that these features have become enregistered as a characterological figure of a British working-class White woman—the Hun—that is stylistically deployed as a digital commodity register. Concluding, I emphasise the need for research to engage more fully with stylisation and commodification in social and digital media interaction.
Original language | English |
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Pages (from-to) | 483-504 |
Journal | Journal of Sociolinguistics |
Volume | 26 |
Issue number | 4 |
Early online date | 2 Apr 2022 |
DOIs | |
Publication status | Published - Sep 2022 |
Keywords
- digital culture
- identity
- LGBTQ+
- memes
- social media
- stylisation
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Dive into the research topics of 'U Ok Hun? The digital commodification of white woman style'. Together they form a unique fingerprint.Activities
- 1 Participation in conference
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11th International Conference on Language Variation in Europe - ICLaVE
Christian Ilbury (Presenter)
14 Apr 2022Activity: Participating in or organising an event types › Participation in conference